Critics’ reviews

Pinocchio (1940)

11 reviews from 11 publications. Critics’ score 85: 10 positive, 1 mixed, 0 negative.

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85
Positive
10
Mixed
1
Negative
0

Almost every critic recommends Pinocchio, and the praise falls in two places. First, the animation: the depth given by the multiplane camera, the early Technicolor, the painted backgrounds, the whale. Second, the story’s darkness. Several reviewers argue that the film trusts children with a grim fable and is better for it, and more than one places it above Snow White on every count but the songs. Jiminy Cricket is singled out again and again as the film’s best invention.

The reservations are about the music and the sermon. Two of the earliest notices, from Sight and Sound and The New York Times, find the score the one weak department, which later critics do not share. Empire thinks the moralising heavy-handed for a children’s film and the animation showing its age. Time Out is the only mixed voice, admiring the whale and the background detail while disliking the goldfish and the fairy. Otherwise the spread is narrow.

Radio Times
★★★★★ · Tony Sloman
100

The critic marvels at the enduring sense of wonder in this tale of the wooden boy and his conscience, with characters that have become 20th-century mythology. The magnificent score including 'When You Wish Upon a Star' and the artistic use of early Technicolor are singled out for praise.

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The AV Club
18 March 2009 · A · Noel Murray
95

Praises the film as ahead of its time with a dark, moralistic fable and grim message that trusts young audiences, highlighting its painterly visual texture and depth on Blu-ray.

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RogerEbert.com
22 November 1998 · Roger Ebert
90*

The 1940 Disney film is a triumph of storytelling with a moral, a parable about the dangers of lying that reaches children deeply through Pinocchio's journey. Ebert highlights the innovative animation techniques like the multiplane camera and the film's archetypal power and visual imagination.

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Sight and Sound
1 January 1940
90*

The critic calls it the most perfect example of cartoon work seen on screen, a great advance on Snow White with lifelike animation and characters that breathe. Jiminy Cricket is singled out as an immortal creation, though the music is deemed pedestrian and uninspired.

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Slant Magazine
10 March 2009 · Eric Henderson
90*

Calls it Disney’s most powerfully dark vision with real gravitas, praising its handling of darker themes, dread and visual artistry over lighter elements.

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The Hollywood Reporter
23 February 2020 · THR Staff
90*

The critic calls it a masterpiece superior to Snow White in technical achievement, conception and production, praising its charm, humor, drama, action and beauty that entertain all ages.

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The New York Times
8 February 1940 · Frank S. Nugent
90*

Disney's second feature-length cartoon is a blithe, witty, fresh and beautifully drawn fantasy superior to Snow White in every respect but its score. It is the best cartoon ever made, a gay and clever delight for young and old alike.

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Little White Lies
23 February 2020 · James Clarke
80*

The piece celebrates Disney’s 1940 animation on its 80th anniversary as a pop culture staple that dynamically visualises a child’s journey from innocence to experience. It highlights the lasting alterations to Collodi’s tale, such as elevating Jiminy Cricket as the conscience and heartbeat of the film.

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Empire
1 January 2000 · Alan Morrison
70*

The critic notes that the quality of Walt Disney's second feature still shines through decades later, praising its Academy Award-winning score and song while acknowledging that the moral preaching feels heavy-handed for a children's film and the animation shows its age. The characters and songs remain distinctive, though it is not ranked among the very top Disney classics, and it will still enchant younger viewers.

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Time Out
15 April 2014 · GB
50*

The review describes the film as a rum mixture of the excellent and the awful, praising stunning animation of the whale and delightful background details while criticising the cute goldfish and odious fairy. It notes that Pinocchio reveals Disney’s virtues and vices more clearly than any other cartoon.

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Collider
12 April 2026 · Victoria Luxford
90*

The critic hails Pinocchio as Disney's only perfect animated film and greatest masterpiece, praising its technical wizardry in animation, moral message, and classic music like "When You Wish Upon a Star."

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate