Almost every critic recommends Pinocchio, and the praise falls in two places. First, the animation: the depth given by the multiplane camera, the early Technicolor, the painted backgrounds, the whale. Second, the story’s darkness. Several reviewers argue that the film trusts children with a grim fable and is better for it, and more than one places it above Snow White on every count but the songs. Jiminy Cricket is singled out again and again as the film’s best invention.
The reservations are about the music and the sermon. Two of the earliest notices, from Sight and Sound and The New York Times, find the score the one weak department, which later critics do not share. Empire thinks the moralising heavy-handed for a children’s film and the animation showing its age. Time Out is the only mixed voice, admiring the whale and the background detail while disliking the goldfish and the fairy. Otherwise the spread is narrow.
