All eight reviews are favourable, and the praise settles on Alan J. Pakula’s direction and Harrison Ford’s lead. Critics call it a tight, intelligent adaptation of the novel, more restrained than its source, and credit Pakula with keeping a large cast in balance. Ford is singled out again and again for playing the accused prosecutor so quietly that nobody can settle on his guilt, which most reviews take as the film’s chief strength. Scacchi, Bedelia, Julia and Dennehy draw notice for the same ambiguity.
The spread is narrow; nobody dislikes it and nobody raves. Eye for Film finds it slow in places and thinks the ending is signposted too early, and Roger Ebert, the coolest of the eight, admires the handling of wrongful conviction more than the whole. Later writers at Slant and Vulture read more into it, seeing a study of corruption, paranoia and sexual politics where the 1990 notices saw a well-built thriller.
