Prince of Persia: The Sands of Time (2010)

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Nathan finds it entertaining but held back by wooden dialogue and sloppy exposition. He praises the real-world stunts, especially the parkour and swordfights.

Bennett finds it an enjoyable, family-friendly adventure that lacks epic scale and leaves little lasting impression. He praises the film’s beautiful cinematography and brisk editing, which help keep the far-fetched story buoyant.

Huddleston gives the film 3/5, indicating a mixed verdict. The available text does not reveal what he specifically praises or criticizes.

Tobias finds the film a thin, witless, generic adventure despite its commercial savvy. He praises Jake Gyllenhaal’s screen presence and the cinematography’s flattering shots, while criticizing the mythology, CGI, and heroine.

The critic finds the film a disappointing, uninspired blockbuster that fails to deliver memorable spectacle. They particularly fault its second-rate effects and uninnovative action sequences.

Sharkey finds the film spectacular but emotionally underpowered, with Jake Gyllenhaal unable to give its prince enough edge. She praises the visually mesmerizing production design, effects and stunts, while noting that Alfred Molina’s comic performance adds welcome fun.

Felperin finds the film passably enjoyable but forgettable, lacking the originality and spark to stand out. She praises Alfred Molina’s lively comic turn, while criticizing the film’s overdesigned look and Gyllenhaal’s disappointing performance.

Pulver finds the film silly and over-complicated, with its convoluted plot undermining the adventure. He praises its attractive visuals and fleeting excitement, but says even director Mike Newell cannot rescue the story.

Weber finds the film dull, lifeless, and weighed down by familiar effects-epic tropes. He criticizes its fragmented action and says the leads lack chemistry, while noting Gemma Arterton’s authoritative performance.

Kermode finds the film formulaic but entertaining, and says it exceeds expectations as both an action movie and a game adaptation. She especially praises the parkour action and Alfred Molina’s comic performance.

The critic finds the film enjoyable and recommends seeing it, though it falls short of expectations and its story becomes confusing. They praise the action and parkour sequences, especially the opening assault on Alamut.

Lambie finds the film entertaining but predictable, uneven, and short of a cinematic triumph. He praises Alfred Molina’s performance and the richly detailed medieval cities, while criticizing the lack of tension in the action.

The review finds the film visually impressive but ultimately dull and uninvolving. It praises Alfred Molina and the ostriches for bringing humor and energy to proceedings.