Critics’ reviews

Prizzi's Honor (1985)

7 reviews from 7 publications. An early critics’ score of 84 from 5 reviews; it stands on its own from 6.

Back to our review of Prizzi's Honor

84
Positive
5
Mixed
0
Negative
0
Los Angeles Times
14 June 1985 · Sheila Benson
90*

Huston shapes the story into a resoundingly comic love story with sobering underpinnings, imagining The Maltese Falcon set in Brooklyn and done like an Italian opera. It is a rich, dense character comedy with an unblinking eye at love and family loyalty, Sicilian style.

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RogerEbert.com
11 June 1985 · Roger Ebert
90*

The critic calls it one of Huston's very best films, a bizarre dark comedy where two professional killers fall in love and find the mob isn't big enough for both. The plot's logical collision of romance and family honor makes shocking decisions feel inevitable.

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The New Yorker
24 June 1985 · Pauline Kael
85*

The picture revels in the murderous finagling of a Brooklyn Mafia family with a daring comic tone like The Godfather acted by The Munsters, using Italian opera arias to point up their sentimentality. Its elation and springiness make it feel like the work of a young director.

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Time Out
10 September 2012 · CPea
80*

The critic finds the film a stylish black comedy about a hit man and assassin whose romance turns deadly. Huston is praised for expertly blending tones including irony and camp into a coherent narrative focused on faces talking in rooms.

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Variety
31 December 1984 · Variety Staff
75*

John Huston's film packs love, sex, murder and dark comedy into a labyrinthine tale of a hit man who falls for a woman who turns out to be his counterpart in hired killings. Nicholson convincingly stretches into a street-tough accented gangster role while Turner jolts with her loveliness in key scenes.

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Empire
1 January 2000 · William Thomas

The critic describes it as a slight but grimly amusing Mafia spoof with Jack Nicholson as a not-overbright mob hitman. It is enjoyable overall but not one of Nicholson's best performances.

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The New York Times
9 June 1985 · NYT Critic’s Pick · Janet Maslin

Huston's black comedy walks a narrow tightrope between funny and serious as a stolid Mafia hit man falls for a glamorous fellow professional killer. The film captures the book's unique quality of being not just one thing.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate