Critics’ reviews

Quiz Show (1994)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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5 of 6
Positive
5
Mixed
0
Negative
0
Empire
1 January 2000 · Kim Newman
85*

Redford's direction finds weight and relevance in the 1950s quiz show scandal without becoming ponderous, anchored by strong performances and sharp observation of media and celebrity culture. The film is praised as his best as director, rich in character, wit and heart.

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Time Out
8 February 2012 · TCh
85*

Redford has fashioned an impeccably nuanced Faustian drama from a brilliant screenplay that aspires to capture America's fall from grace at the end of the 1950s. The film is perfectly pitched, brimming with insight and wit.

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Radio Times
★★★★ · Alan Jones
80

Intelligently crafted by director Robert Redford, this is a riveting account of a true-life 1950s TV quiz show scandal involving fraud and corruption. It reveals much about American ethics, manners and morals, and the true price of fame.

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The Guardian
14 December 2012 · Alex von Tunzelmann
80*

The critic praises the film's excellent performances, quick-witted screenplay and strong sense of historical truths in depicting the 1950s quiz show rigging scandal. It singles out the accurate portrayal of the contrast between contestants Stempel and Van Doren for particular note.

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The Independent
26 February 1995
70*

Redford's urbane and witty film explores the 1950s Twenty-One scandal and America's loss of innocence to television, with standout performances especially from Ralph Fiennes and Paul Scofield. It is thoughtful and meticulously detailed but overlong in places with some shapeless scenes.

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The New Yorker
12 September 1994 · Terrence Rafferty

Redford’s film is a speedy, absorbing and entertaining chronicle of the rigged quiz shows that succeeds as a witty, vigorous evocation of the 1950s media world. It falls short of fully selling its ideas about class dynamics in American society.

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The New York Times
14 September 1994 · Janet Maslin

The film is a supremely elegant and thoughtful parable about awakening from false values and misplaced optimism in American life. It transcends its 1950s setting with a piercing disillusionment that still resonates.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate