Critics’ reviews

Raging Bull (1980)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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5 of 6
Positive
4
Mixed
1
Negative
0
Financial Times
13 April 2023 · ★★★★★ · Danny Leigh
100

The review highlights the film’s resistance to personal arcs and redemption in its portrait of elemental brutality. The restored print allows the blood to still drip from the ropes in this savage Bronx middleweight story.

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Empire
20 January 2006 · Ian Nathan
95*

The review declares Raging Bull everything it is cracked up to be, a peerless imprint of what cinema can aspire to in art, truth and exhaustion. It singles out the contrasting docu-drab and dreamily inventive black-and-white cinematography, along with De Niro's performance, for particular praise.

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The Guardian
12 April 2023 · Peter Bradshaw
90*

The critic finds Scorsese’s 1980 biopic a brutally nihilist tale that remains full of despairing beauty and unforgettable performances. The sheer brio and kinetic energy of the nightmarish boxing scenes are singled out as utterly unique.

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Total Film
17 November 2000
90*

The review calls Raging Bull a potent tragedy of a brutal pugilist at war with himself and a truly extraordinary modern classic. It singles out Scorsese's tautly choreographed ring sequences and the performances of De Niro, Pesci and Moriarty.

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The Hollywood Reporter
10 November 1980 · Ron Pennington
65*

The critic calls it the most unromanticized movie biography ever produced by Hollywood, praising De Niro's brilliant and transformative performance along with the intense, brutal fight sequences. However, the review faults the film for lacking dramatic structure, having a dull improvisational quality outside the fights, and overly stylized techniques that highlight the rest of the film's lack of energy.

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RogerEbert.com
19 December 1980 · Roger Ebert

The critic sees the film as an intense exploration of a man's brute force, anger, grief, and inability to view women beyond a madonna-whore complex, with De Niro and Scorsese fearlessly depicting the protagonist's limited emotional range. He praises the raw portrayal of jealousy, violence, and guilt channeled through boxing and personal relationships.

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Variety
11 November 1980 · Joseph McBride

The review finds the protagonist one of the most repugnant in recent cinema but highlights the boxing sequences as possibly the best ever filmed and the film's capture of a boxer's intensity. It notes the visceral power of the fights alongside the offputting character that may limit broader appeal.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate