Critics’ reviews

Ran (1985)

9 reviews from 9 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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Positive
5
Mixed
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Negative
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Time Out
29 March 2016 · ★★★★★ · Tom Huddleston
100

The critic praises Kurosawa’s adaptation of King Lear as a director’s film packed with brutal violence, tragedy, intrigue, comedy and betrayal. Visual mastery stands out through sweeping shots of banners, armies and shifting colour palettes that heighten the emotional intensity.

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Empire
1 April 2016 · Ian Nathan
90*

The critic calls it an absolute triumph and Kurosawa's last great masterpiece, a Shakespearean epic of betrayal and chaos that remains a film of rare greatness. They single out the monumental scale of the production, the masterful control of vast dramatic and visual elements, and the ferocious performances for particular praise.

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The AV Club
29 March 2002 · Scott Tobias
90*

Kurosawa's 1985 King Lear adaptation in feudal Japan is a self-canonizing masterpiece whose epic battle sequences and visual poetry exceed mere spectacle. The critic singles out the painterly cinematography, Nakadai's delicate descent into madness, and Takemitsu's haunting score for particular praise.

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Los Angeles Times
28 December 1985 · Kevin Thomas

The critic hails it as a superb re-working of King Lear and a glorious culmination of the director's career, at once brisk and elegiac, intimate and epic. He singles out the images as beautiful and terrifying as any captured on film and the impeccable performances.

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RogerEbert.com
25 December 1985 · Roger Ebert

The critic calls it a great, glorious achievement that Kurosawa could perhaps only have made at 75. He singles out the director's command of epic battle scenes contrasted with intimate chamber drama, and the freshness brought by samurai costumes and Noh-inspired makeup.

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The New Yorker
6 January 1986 · Pauline Kael

The critic admires the monumental, conceptualized scale of the film viewed from a detached, heaven-like perspective, praising the fastidious preparation, color-coded armies, and extravagantly beautiful battle imagery that pays off despite the tragic story.

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The New York Times
27 September 1985 · festival review · Vincent Canby

The critic describes it as a film of grandeur evoking the greatest epics in cinema history, with the terrible logic and clarity of a morality tale and the visual mastery of a myth that remains ageless. He notes the astonishing physical spectacle and integrated battle scenes.

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The Skinny
2 May 2016 · ★★★★★ · Ross McIndoe
100

The critic praises Kurosawa's visually stunning and perfectly composed adaptation of King Lear, highlighting its timeless quality and masterful craft. They single out the breathtaking visuals and composition for praise.

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Eye for Film
31 March 2016 · Jennie Kermode
95*

Kurosawa's epic reworking of King Lear is one of the greatest works of art in cinematic history, a mythic yet clear-eyed tragedy of a warlord's self-inflicted downfall and the chaos it unleashes. The film stands out for its grand scale, fusion of ideas, and unusual clarity of perspective amid the madness.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate