Critics’ reviews

Risky Business (1983)

8 reviews from 8 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.

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4 of 6
Positive
4
Mixed
0
Negative
0
The AV Club
17 September 2008 · A- · Keith Phipps
90

The critic sees the film as a coming-of-age story about a teen discovering desire and capitalism after hiring a call girl and turning his home into a brothel. It singles out the contemplative mood created by the Tangerine Dream score and the way the protagonist realizes his soul is at stake amid material pursuits.

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Radio Times
★★★★ · Tom Hutchinson
80

A bright comedy in which Tom Cruise turns his parents' home into a brothel; Brickman delivers a sharp satire on American go-getting that turns into a near-tragedy of class collisions.

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Time Out
10 September 2012 · CPea
80*

The film is a glossy comedy of embarrassment that teeters permanently on the brink of stark disaster, recalling The Graduate. Good performances from Cruise and De Mornay stand out.

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Empire
1 January 2000 · Ian Nathan
70*

The critic describes the film as a strangely affecting mix of frat-house hi-jinks and philosophical treatise, calling it Ferris Bueller with an existential crisis. Tom Cruise's performance is singled out for making the character credible and marking a star's birth, though the attempt to balance juvenile antics with deeper themes is seen as overly ambitious.

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RogerEbert.com
1 January 1983 · Roger Ebert

The film is one of the smartest, funniest, most perceptive satires in a long time and a great comedy about teenage sex. Brickman’s sharp dialogue and the strong casting of Tom Cruise and Rebecca De Mornay create original insights into guilt, greed, and lust.

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The New York Times
5 August 1983 · Janet Maslin

Brickman’s film shows an abundance of style but focuses on a hero whose problems hold little interest to the wider world. It mixes satire, suburban poetry, and shameless showing off with uneven results, though some fresh moments stand out.

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Variety
31 December 1982 · Variety Staff

The film is like a promising first novel with stylistic talent on display. Brickman can be accused of trying to have it both ways by endorsing the bottom line while delivering a stylish debut.

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Collider
3 August 2018 · Matt Goldberg

The critic views the film as a wish-fulfillment fantasy of white male teenage desire that largely endorses rather than satirizes its protagonist's values. Cruise's performance as the out-of-his-depth Joel provides the main source of humanity and contrast to the character's later confident persona.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate