Critics’ reviews

Ronin (1998)

11 reviews from 11 publications. Critics’ score 60: 4 positive, 1 mixed, 2 negative.

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60
Positive
4
Mixed
1
Negative
2

Most critics find Ronin an enjoyable old-fashioned thriller, with praise concentrated on Frankenheimer’s action direction and the car chases’ physical realism. The favourable reviews value its gritty professionalism, tense encounters and straight-faced handling of familiar genre material. Performances also draw approval, particularly De Niro and Reno, while several critics find that the pace and shifting loyalties sustain interest even when the story strains credibility.

The disagreement is over how much those strengths compensate for thin characters and an implausible or confusing plot. Some accept the silliness as part of the pleasure; others find too little drama beneath the action. The spread is wide: Eye for Film embraces the film throughout, while Time Out finds the plotting uninvolving and argues that even the chases grow tiresome. The AV Club offers a distinct qualification, praising the detailed plotting but finding the action and moody paranoia imperfectly balanced.

The New Yorker
28 September 1998 · Anthony Lane
80*

Lane finds Ronin rather enjoyable overall, especially its multiple outstanding car chases treated as the film's core. He praises Frankenheimer's return to form and realistic action that avoids flashy effects.

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Los Angeles Times
25 September 1998 · Kenneth Turan
75*

Turan calls it an old-fashioned thriller efficiently updated, with tense professionals and satisfying car chases filmed realistically without digital effects. Frankenheimer's fast-moving direction keeps implausible elements from tipping into silliness.

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Variety
14 September 1998 · Todd McCarthy
70*

McCarthy sees it as a pleasurable throwback to gritty 1960s international thrillers, with potent action, shifting loyalties and scenic locations holding interest despite thin characters and story. He notes strong performances but wishes for more existential depth.

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Empire
1 January 2000
50*

The film is an old-school Parisian spy-heist that lacks enough plot dynamism to be memorable beyond its car chases, despite solid performances from De Niro and Reno.

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Total Film
20 November 1998
40*

The confusingly plotted thriller has promising set-up and strong action sequences from Frankenheimer but is undermined by a weak script and lack of real drama, leading to a recommendation to skip it.

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Time Out
5 January 2022 · GA
20*

The critic finds the film to be hackneyed genre fluff with a rambling, uninvolving plot, paper-thin characters, and clumsy dialogue, dismissing its pretensions as absurd. The non-digital car chases provide brief fun but ultimately pall, along with the performances and camerawork.

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RogerEbert.com
25 September 1998 · Roger Ebert

Ebert enjoyed the film for its skill and its silliness, with convincing actors and exciting action that makes little sense. He singles out a quiet scene where De Niro's character instructs on removing a bullet for its funny and touching delivery.

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The AV Club
29 March 2002 · Keith Phipps

The critic finds the film a strangely flawed but satisfying thriller that mixes action setpieces with moody paranoia. They single out the expertly detailed plotting and car chases for praise while noting the halves do not fully balance.

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The Guardian
20 November 1998 · Xan Brooks

Brooks compares Ronin to the concurrent release Rounders and finds the Frankenheimer film the stronger of the two. He praises its straight-faced, un-ironic treatment of genre clichés and old-fashioned authenticity.

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The New York Times
25 September 1998 · NYT Critic’s Pick

The critic praises Frankenheimer's top-notch thriller for its gritty professionalism and breathtaking car chases, noting how it makes an action hero of De Niro. An extraordinary cast matches wits impressively in this tense, hard-boiled story.

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Eye for Film
5 November 2004 · Gator MacReady
95*

The critic calls Ronin perfection from beginning to end and a return to gritty, serious action filmmaking. Frankenheimer's direction and the film's intense, realistic car chases are singled out for particular praise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate