Critics’ reviews

Run Lola Run (1998)

10 reviews from 10 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

Back to our review of Run Lola Run

5 of 6
Positive
4
Mixed
1
Negative
0
Empire
1 January 2000 · Caroline Westbrook
85*

The critic praises the film's frenetic portmanteau structure, techno soundtrack and stylish energy as a rare foreign-language action picture that appeals to both multiplex and arthouse audiences. It singles out the sympathetic characters and inventive editing for making viewers root for the leads despite minimal dialogue.

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Sight and Sound
· Richard Falcon
85*

Tykwer's supercharged, hyperactive film sets new standards for the cinema of hysteria with its chaos-theory plotting and mixed-media techniques. The critic praises the empathy maintained with Lola across three timelines despite the stylised pop-video aesthetics and techno score.

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Time Out
10 September 2012 · GA
60*

The plotting of three rescue scenarios is ingeniously modern and the visual techniques make a simple story slick entertainment aimed at youth. The critic notes it is shallow, contrived and implausible, though Potente's spirited performance stands out.

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Los Angeles Times
18 June 1999 · Kenneth Turan

The critic calls the film a hyperkinetic pop culture firecracker that celebrates the playful inventiveness of cinema itself, praising its tireless energy, addictive techno score, and the way small changes ripple through the story.

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RogerEbert.com
2 July 1999 · Roger Ebert

The critic praises the film's inventive style and energy as it tells three variations of Lola's desperate 20-minute run to save her boyfriend, noting its focus on how small changes affect outcomes and its playful cinematic tricks.

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The Guardian
22 October 1999 · Peter Bradshaw

Bradshaw describes the film as three variations on Lola racing through Berlin to save her boyfriend, praising Tykwer's fluent direction and trademark camera loops but criticizing it as resembling a pop video with contrived storylines that undermine each other.

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The New York Times
13 June 1999 · Laura Winters

The article highlights the film's anarchic energy and popularity in Germany, describing Lola's frantic race through Berlin and the director's use of innovative techniques that transcend language.

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Variety
14 September 1998 · festival review · David Rooney

The review lauds the film's breathless race-against-the-clock structure with multiple variations on the story, its rich humor, rhythm, energy and inventiveness, and the strong central performance by Franka Potente.

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Eye for Film
19 January 2001 · Angus Wolfe Murray
80*

The critic praises the film's energy and exuberance, which overcomes any doubts about trite content through its pop-video style, sexy soundtrack and the determined heroine racing to save her boyfriend. Tykwer's instinctive, adrenaline-fueled direction and the athletic lead performance stand out as highlights.

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Collider
9 June 2024 · 7/10 · Jeffrey Speicher
70

The critic praises the film's turbo-charged thriller elements combined with deep existential questions about determinism and free will. The innovative video game-like structure, editing, and direction are highlighted as groundbreaking for its time.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate