Critics’ reviews

Secrets & Lies (1996)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

Back to our review of Secrets & Lies

5 of 6
Positive
5
Mixed
0
Negative
0
Empire
1 January 2015 · David Cavanagh
85*

The critic calls it hilarious and as touching a film as any Leigh has made, returning to bittersweet suburban comedy. He singles out the superb dialogue, running gags, and strong ensemble performances for praise.

Read the full review →
Slant Magazine
18 February 2005 · Eric Henderson
85*

Leigh's familial dramedy excels in scenes that shift from fever pitch to meditative calm, centering on cathartic breakthroughs and class differences. The reunion between mother and daughter stands out for its raw, volcanic emotion and bittersweet healing.

Read the full review →
Time Out
10 September 2012 · GA
85*

The critic finds the film spellbinding for its extraordinary emotional riches derived from deep focus on one family's everyday experiences. Everyone's superb, with Blethyn and Spall singled out in particular.

Read the full review →
The AV Club
29 March 2002 · Keith Phipps
80*

The film disarms viewers accustomed to simplistic characters with its honest portrayal of family life and adoption. Leigh's slow pacing and strong ensemble cast deliver an authentic, stylistically minimal drama that highlights good filmmaking.

Read the full review →
The Independent
22 May 1996 · Adam Mars-Jones
80*

The critic finds it a wonderful, beautifully constructed sentimental melodrama that marks a shift for Leigh towards positive emotion and humanist themes. He singles out Brenda Blethyn's fiercely funny performance for praise.

Read the full review →
The New York Times
27 September 1996 · festival review · Janet Maslin

The critic praises the film's tender and wrenching revelations and Brenda Blethyn's heart-rending performance as Cynthia. It singles out the emotional immediacy and the way the story captures inner light through its characters.

Read the full review →
Variety
13 May 1996 · festival review

The review calls it a finely observed, deeply felt work that returns to a less dark style but on a more ambitious canvas. It notes some pacing and structure issues that may affect commercial prospects.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate