Critics’ reviews

Shallow Hal (2001)

11 reviews from 11 publications. Critics’ score 52: 4 positive, 2 mixed, 5 negative.

Back to our review of Shallow Hal

52
Positive
4
Mixed
2
Negative
5

The reviews split almost down the middle, and even the admirers agree the film is a departure for the Farrelly brothers. Where the praise gathers, it gathers on two things: the decision to play the inner-beauty premise straight rather than for cheap laughs, and the performances of Jack Black and Gwyneth Paltrow, who are singled out by critics on both sides of the divide. The New York Times and RogerEbert.com find the sincerity moving; several others settle for sweet, or at least good-natured.

The spread is wide. Detractors object that the film asks the audience to laugh at fat jokes while scolding them for doing so, and that the tone lurches between the two. The Los Angeles Times calls it schizophrenic; The Independent goes further, arguing it upholds the prejudices it claims to debunk. Even the milder notices complain that it is not funny enough, with the central gag wearing thin early. The British reviews run noticeably cooler than the American.

The New York Times
9 November 2001 · A.O. Scott
85*

The Farrellys craft a tender fable that mocks and celebrates its subject at once, transforming fat jokes into a winning love story through absolute conviction. Scott praises the film's unabashed sincerity and the way it shames viewers of their own shallowness.

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RogerEbert.com
9 November 2001 · Roger Ebert
80*

The Farrelly brothers deliver a surprisingly moving comedy that balances gross-out gags with genuine empathy for its characters. Ebert singles out the performances of Jack Black and Gwyneth Paltrow, along with the film's heartfelt message about inner beauty.

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Empire
1 February 2002 · William Thomas
70*

An improvement on the Farrellys' previous misfire, with a sweeter and more good-natured tone that celebrates inner beauty and girth, though it lacks big laughs and has a predictable ending.

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Slant Magazine
29 October 2001
70*

The Farrelly brothers' film is sweet and sad, indicting sources of female shame with humanity while challenging viewers' gaze through Hal's altered perception of beauty.

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Time Out
10 September 2012 · WH
60*

The Farrellys add a sentimental twist to their usual schtick in a film that is not as funny as their best but fascinates through its foregrounded moral dialectic on fatness and hypocrisy. Black's self-satisfied lead performance and the sheer audacity of the gags stand out.

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The AV Club
9 November 2001 · C · Scott Tobias
57

The film awkwardly splits between puerile fat jokes and half-hearted sentiment, failing to balance its high concept with consistent humor or conviction.

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Los Angeles Times
9 November 2001 · Kenneth Turan
30*

The Farrelly brothers' attempt at sentimental uplift results in a broad, unsubtle film that is rarely amusing and rife with obesity jokes. Turan criticizes the lack of subtlety and the schizophrenic tone that undermines its message about inner beauty.

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Screen Daily
13 November 2001
30*

The Farrelly brothers deliver a disappointingly sentimental comedy about inner beauty that feels like a step backwards from their earlier gross-out work. It benefits from solid turns by Paltrow and Black but ultimately pushes obvious, sappy values.

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The Guardian
1 February 2002 · ** · Peter Bradshaw
30*

The critic finds the Farrelly brothers' effort dull and a step down from their usual bad-taste style, calling it a sentimental misfire on its premise about inner beauty. He singles out the mishandled handling of sensitive topics like disfigurement and obesity for complaint.

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The Independent
3 February 2002 · Nicholas Barber
20*

The Farrelly brothers attempt a more politically correct comedy about inner beauty but end up upholding the prejudices they claim to debunk, resulting in a tame and apologetic film reliant on fat jokes that fails to deliver laughs beyond the trailer.

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Eye for Film
30 January 2002 · Angus Wolfe Murray
40*

The critic finds the central joke about seeing inner beauty wears thin after half an hour, leaving little else to sustain the film. Jack Black and Gwyneth Paltrow are praised in their roles, but the Farrelly brothers' effort lacks the momentum of their earlier comedies.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate