
Most critics respond warmly to Short Term 12, with praise centred on Brie Larson’s performance as Grace, a compassionate supervisor carrying troubles of her own. The reviews repeatedly credit her with making the character’s strength and vulnerability convincing, while also praising the young cast’s natural performances. Cretton’s writing and direction draw approval for finding humour in daily routines at the foster care facility and treating trauma without reducing the residents to their suffering.
The disagreement concerns how honestly the film earns its emotional effects, and the spread runs from enthusiastic endorsement to outright rejection. Even some favourable reviews find the plotting calculated or the more cathartic moments overstated. Time Out admires Larson but finds the drama overwrought and manipulative; The Guardian is the clearest dissenter, judging the characters clichéd and the story contrived despite sincere performances. Most critics, though, find enough restraint and observed detail to support the film’s emotional force.
I
IndieWire
11 March 2013 · A · Eric Kohn
95
The movie pulls off a tricky balance of imbuing its story with emotional weight while not coming across as cloying. Impeccable performances all around, especially from Brie Larson as the young supervisor.
Read the full review →E
Empire
18 October 2013 · Ian Freer
90*
The critic calls it the biggest surprise of 2013 for being fresh, funny and moving without resorting to inspirational tropes. They single out the meticulously crafted script and Brie Larson's standout performance for praise.
Read the full review →V
Vulture
26 August 2013 · David Edelstein
90*
The finest and most wrenching American fictional movie so far this year, with a breakout performance by Brie Larson as a counselor whose empathy transforms therapy-speak into something profound. The young actors are extraordinary and the film leaves you shaken but not bereft.
Read the full review →L
Los Angeles Times
22 August 2013 · Kenneth Turan
85*
The critic calls it a small wonder of exceptional naturalness and empathy that turns potentially generic material into something moving and intimate. It singles out Brie Larson's generous and persuasive performance as the staff supervisor.
Read the full review →T
The Times
1 November 2013 · Wendy Ide
85*
The critic calls the film wonderfully fresh and genuine, commending its respectful treatment of damaged characters, natural performances, irreverent humour and cathartic moments.
Read the full review →T
Total Film
29 October 2013 · Kevin Harley
85*
The critic praises the film for crafting lived-in emotions drawn from real experience rather than voyeurism or sentimentality. They single out Brie Larson's nuanced performance as the damaged but compassionate carer Grace for particular praise.
Read the full review →L
Little White Lies
30 October 2013 · 3/4/4 · Adam Woodward
80
The critic finds the film a powerful human drama told with honesty and compassion, elevated by a barnstorming performance from Brie Larson that makes Cretton one to watch.
Read the full review →S
Screen Daily
19 March 2013 · festival review
80*
The critic calls the drama affecting and moving, praising its sincere emotional intensity, realistic performances especially from Larson, and Cretton's direction based on personal experience.
Read the full review →N
The New York Times
23 August 2013 · Manohla Dargis
80*
The review highlights the delicate intensity of feeling in this drama about young lost people at a group home hoping to be found. It singles out the director's thoughtful choices and the terrific, persuasive performance by Brie Larson.
Read the full review →V
Variety
13 March 2013 · festival review · Peter Debruge
80*
The review praises this compelling human drama for finding fresh energy in the inspirational-teacher genre and constantly revealing new layers to its characters. It singles out Brie Larson's thick-skinned supervisor as the most complex.
Read the full review →S
Slant Magazine
14 August 2013 · R. Kurt Osenlund
70*
The greatest virtue is its intimate understanding of the people who work in such facilities and the symbiotic therapy at play. There is tremendous dramatic value in the aching scenes of the kids’ private torments, though the narrative often feels calculated.
Read the full review →E
Evening Standard
1 November 2013
60*
The critic finds Brie Larson incredible as the dedicated supervisor Grace but notes that some plot turns are hard to swallow and one scene is absurd. They single out the authentic lo-fi atmosphere for praise while acknowledging the film's slight cheats for emotional effect.
Read the full review →T
Time Out
15 October 2013 · ★★★ · Tom Huddleston
60
While acknowledging the film's heart and charm and praising Brie Larson's performance, the critic finds it overwrought and manipulative, never quite ringing true for UK viewers.
Read the full review →G
The Guardian
1 November 2013 · Peter Bradshaw
30*
The critic finds the film well-intentioned and sincerely acted but ultimately inauthentic, citing clichéd characters and a contrived ending that fails to convince.
Read the full review →F
Film Comment
· Jonathan Robbins
The critic praises the film's earnest and honest portrayal of children’s suffering while noting its hopeful and humorous tone amid difficult situations. Larson’s forceful performance and Cretton’s directorial instincts, especially in camera placement, are highlighted as strengths.
Read the full review →R
RogerEbert.com
23 August 2013 · Christy Lemire
The critic praises the film's delicate and truthful understatement that lets the humanity of its characters shine through naturally. It highlights the naturalistic approach to the group home setting and Brie Larson's revelatory lead performance.
Read the full review →H
The Hollywood Reporter
14 March 2013 · festival review · John DeFore
A genuinely moving look at life in a group foster home that avoids most of the usual routes into viewers’ hearts. Brie Larson gives a breakthrough performance in an effortlessly balanced film that produces hold-your-breath moments.
Read the full review →/
/Film
24 August 2013 · 10/10 · Germain Lussier
100
Short Term 12 is a funny, moving, and emotionally resonant film that stands as cinematic perfection thanks to its mind-blowing performances, sharp writing, and beautiful direction. It excels in its natural handling of complex character turns and realistic portrayal of life in a group home for foster kids.
Read the full review →C
Collider
23 August 2013 · A · Matt Goldberg
95
The critic praises the film's honest handling of emotional trauma through strong direction, script, and performances, especially Brie Larson's breakthrough role, noting it earns its emotional impact without being manipulative. The review highlights the seamless tonal shifts and the power of art in helping characters confront their pasts.
Read the full review →P
The Playlist
21 August 2013 · A · The Playlist Staff
95
The film authentically captures the daily realities and emotional complexities of staff at a short-term foster care facility through sharp writing and a perfectly balanced tone of humor and heart. Brie Larson's riveting central performance anchors the story as a young woman confronting her own past while caring for the residents.
Read the full review →D
Digital Spy
30 October 2013 · ★★★★ · Stella Papamichael
80
The review calls it a small film with a big heart that features star turns, particularly from Brie Larson as Grace. It singles out the natural, raw energy of the child actors and the director’s feel for banter that lightens the daily tribulations.
Read the full review →E
Eye for Film
14 August 2013 · ★★★★ · Richard Mowe
80
Destin Cretton crafts an authentic story of young counselors at a foster care center dealing with their own traumas while supporting troubled teens. The film's strength lies in its realistic characters and the standout performance from Brie Larson, who brings both fragility and strength to the role.
Read the full review →H
HeyUGuys
20 October 2013 · ★★★★ · Kenji Lloyd
80
The film delivers a career-defining performance from Brie Larson as a dedicated supervisor at a foster care facility whose personal issues surface amid new arrivals and revelations. It stands out for its emotional range and authentic portrayal of the challenges faced by staff and residents.
Read the full review →S
The Skinny
7 March 2014 · ★★★★ · Rachel Ashenden
80
The critic highlights the film’s nuanced performances and lo-fi aesthetic that reflect its realism, noting it as a rare work about life after abuse. The cathartic ending is called slightly overwrought but a minor quibble in this outstanding work.
Read the full review →C
Consequence
23 August 2013 · B-
70
The critic lauds Brie Larson's standout dual portrayal of a composed counselor and a traumatized young woman, calling it one of the year's great performances, while noting the film's strong ensemble work. It singles out the realistic depiction of staff and teens but criticizes the overly triumphant ending that prioritizes feel-good moments over harsher realism.
Read the full review →P
Paste
23 August 2013 · 8.2 · Curtis Woloschuk
The critic commends the film's authentic portrayal of life at a foster care facility and its subtle exploration of lingering trauma through Brie Larson's nuanced performance as Grace. It singles out the strong ensemble and the way the story avoids easy resolutions while emphasizing tentative progress.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate