Most critics like Sleeping Beauty, and nearly all of them like it for the same reason: the look. The reviews cluster around Eyvind Earle’s stylised backgrounds, the wide Technirama frame and the depth of the colour, and several call it a leap in ambition for the studio. Maleficent is the other point of agreement, named in almost every review as the film’s strongest element, with the three good fairies and the score drawn from Tchaikovsky close behind.
The reservations are about warmth and about the heroine. Several critics find the film cooler and more remote than Disney’s earlier features, and they disagree about where it ranks: Slant thinks it betters Snow White, while Time Out thinks it falls short of it. Den of Geek finds the animation uneven in places and Aurora too passive to carry her own story. The spread runs from a lukewarm three stars to unqualified praise, wider than the average suggests.
