The reviews are uniformly positive, with praise centred on the hand-drawn animation, the detail of the spirit world and Miyazaki’s imaginative freedom. Critics repeatedly connect the film’s dreamlike storytelling to its memorable images, while finding emotional substance in Chihiro’s growing independence. Her vulnerability and determination give the fantasy a human centre, and several reviews stress that its strangeness sits comfortably alongside familiar fairy-tale themes of identity, love and greed.
There is little substantive criticism in these reviews; the spread runs from warm approval to wholehearted enthusiasm rather than revealing a division over the film’s merits. Differences are chiefly in emphasis: Sight and Sound focuses on Chihiro finding purpose through work in the bathhouse, while Variety considers how well the humour and fantasy survive re-voicing. The consensus leaves few reservations to weigh, though some critics dwell more on the film’s visual invention than on its moral concerns.
