Critics’ reviews

Spirited Away (2001)

12 reviews from 12 publications. Critics’ score 91: 9 positive, 0 mixed, 0 negative.

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91
Positive
9
Mixed
0
Negative
0

The reviews are uniformly positive, with praise centred on the hand-drawn animation, the detail of the spirit world and Miyazaki’s imaginative freedom. Critics repeatedly connect the film’s dreamlike storytelling to its memorable images, while finding emotional substance in Chihiro’s growing independence. Her vulnerability and determination give the fantasy a human centre, and several reviews stress that its strangeness sits comfortably alongside familiar fairy-tale themes of identity, love and greed.

There is little substantive criticism in these reviews; the spread runs from warm approval to wholehearted enthusiasm rather than revealing a division over the film’s merits. Differences are chiefly in emphasis: Sight and Sound focuses on Chihiro finding purpose through work in the bathhouse, while Variety considers how well the humour and fantasy survive re-voicing. The consensus leaves few reservations to weigh, though some critics dwell more on the film’s visual invention than on its moral concerns.

Radio Times
★★★★★ · Calum Baker
100

The review calls it one of the greatest screen fantasies and a perfect coming-of-age fable that brought Japanese animation to wider Western audiences. It singles out the remarkable stream of memorable hand-drawn images enabled by the dreamlike logic.

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RogerEbert.com
20 September 2002 · ★★★★/4 · Roger Ebert
100

This is a wonderful film and one of the year’s best. It enchants with its painterly drawing style, rich details, and a story of a girl navigating a fantastical spirit world.

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The Times
11 September 2003 · ★★★★★ · Jason Solomons
100

The critic hails it as a masterpiece of animation and unparalleled genius that reaffirms faith in cinema's power. It is a startlingly original work blending cultural resonances with dazzling, sensual hand-drawn animation and a gorgeous score, elevating it above even Disney heights.

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Los Angeles Times
20 September 2002 · Kenneth Turan
90*

Prepare to be astonished by this visual wonder from a master animator with a fierce and fearless imagination. It is a heroic adventure story with a magical, fairy-tale quality and lessons on love, identity, and greed.

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Screen Daily
26 July 2001 · festival review
90*

The critic deems it a masterwork and the culmination of Miyazaki’s career, a joy and wonder whose fantasy world is both universal and distinctly his. It singles out the moral intelligence and superb craft of the Studio Ghibli animators in telling the heroine’s quest for identity.

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Sight and Sound
1 September 2003 · Andrew Osmond
85*

The critic hails the film as a richly detailed fantasy embedded in Miyazaki’s personal universe, with universal fairy-tale appeal. He singles out the message of empowerment through labour as Chihiro builds identity and purpose via her work in the bathhouse.

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Total Film
12 September 2003
85*

The review hails Spirited Away as a fresh, fantastical experience that will feel bizarre yet rewarding to British audiences accustomed to Disney fare. It singles out the fluid, organic animation and the empathetic character journey of Chihiro for particular praise.

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Variety
20 September 2002 · Derek Elley
80*

The magic of the original survives intact in the re-voiced version. Miyazaki’s comic touches and astounding flights of fantasy still win the day in this charming fantasy with substance.

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Slant Magazine
29 August 2002 · Ed Gonzalez

The critic praises Miyazaki's imaginative reimagining of Alice in Wonderland as an Asian folk dream, highlighting the textured and exhilarating set pieces like bathing the Stink God, and notes its celebration of individualism and nature.

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The Guardian
12 September 2003 · Peter Bradshaw

The critic calls it a beautifully drawn and wonderfully composed work of art that takes viewers on a rocket-fuelled flight of fancy with tenderly conceived characters. The superb hand-drawn animation combines hallucinatory fantasy with psychological acuity, wit, playfulness and charm, making the masterpiece claim plausible.

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The New York Times
20 September 2002 · Critic’s Pick · Elvis Mitchell

The film is an epic and marvelous anime fantasy with a towering, lost dreaminess. Miyazaki conjures phantasmagoric, shifting morality of dreams unlike any other animator.

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Eye for Film
11 September 2003 · Angus Wolfe Murray
85*

The critic praises the film's strong power of invention and how its visual imagery matches the plot's unique vision. Chihiro's vulnerable, trusting innocence is singled out as unforgettable and deeply affecting at the center of this mythical journey.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate