Most critics find Star Trek: Generations a disappointment: a handover from the original crew to the Next Generation that serves neither cast well. What praise there is gathers around the look of the film. The cinematography, the saucer crash sequence and the effects work are singled out even by reviewers who dislike everything else, Malcolm McDowell’s villain gets a good word, and Data’s emotion chip subplot is mentioned kindly more than once.
The reservations are about story. The Nexus plot is called confusing or impenetrable, the pacing uneven, the humour low, and several critics object to in-jokes and fan service standing where a narrative should be. The spread is fairly wide. Variety and The New York Times, writing on release, think it has enough spectacle to satisfy the faithful, and Den of Geek argues it is better than its reputation. Later reassessments are harsher, with /Film the lowest, and few think the meeting of Kirk and Picard justifies the film built around it.
