Critics’ reviews

Star Trek: Insurrection (1998)

10 reviews from 10 publications. Critics’ score 58: 3 positive, 4 mixed, 3 negative.

Back to our review of Star Trek: Insurrection

58
Positive
3
Mixed
4
Negative
3

Most critics settle on the same description: a big-budget television episode, brisk, good-natured and modest in ambition. Where they praise it, they praise Jonathan Frakes, whose direction is called experienced and well paced, with panache in the battle scenes and humour to lighten the technical talk. Several reviews warm to the story’s simple appeal, a peaceful farming world and the promise of eternal youth defended against exploitation. Empire is warmest, calling it enjoyable even for those who have never watched the series.

The spread is wide, from a near-rave to outright dismissal. Reservations cluster on the story: two reviews call it a comedown from First Contact, and others find its political themes underdeveloped. Roger Ebert argues the film never believes in its own ethical premise and goes inert as a result, while Den of Geek and Eye for Film call it the weakest of the series and short on imagination, saving only faint praise for Frakes and F. Murray Abraham.

Empire
1 January 2000 · William Thomas
90*

The critic finds the film exceptionally well-crafted and paced, with Frakes' direction showing real experience. They single out the sheer feelgood factor, the cast having fun with gags and romance, and the mythical theme of eternal youth as standout elements that make it enjoyable even for non-fans.

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The New York Times
11 December 1998 · Stephen Holden
70*

The movie is essentially a glorified television episode but retains the series' appealing ingredients, including improved effects and its optimistic belief in human benignity. It offers breezy pacing, good-natured humor, and an appealing vision of eternal youth in an agrarian paradise.

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Time Out
10 September 2012 · NF
70*

It recaptures the appeal of the original TV series as an extended episode with a simple storyline about defending a pacifist culture from exploitation. Frakes keeps a brisk pace with panache in battle scenes and leavening humour amid the techno elements.

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Los Angeles Times
11 December 1998 · Kenneth Turan
65*

Though not as strong or adrenalized as the previous film 'First Contact,' this installment still delivers the franchise's characteristic gee-whiz affability and no adventure of the Enterprise is without it. It lacks some oomph but keeps the series flying with its familiar charm.

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Sight and Sound
· Kim Newman
65*

The film is essentially a big-budget TV episode in the original series spirit, with Picard rebelling against a Federation alliance to exploit a peaceful alien world. It features strong action and effects from director Jonathan Frakes but feels underdeveloped in its political themes.

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Variety
10 December 1998
60*

The ninth 'Star Trek' feature is a distinct comedown from 'First Contact' and plays more like an expanded TV episode than a stand-alone adventure. It maintains a brisk pace, generates satisfying excitement and quirky humor, striking a deft balance that should ensure respectable business with fans.

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The AV Club
29 March 2002 · Keith Phipps
55*

The film satisfies the standards of the Star Trek series without transcending them or falling short, delivering familiar subplots, space battles, and fan service that do not disappoint too terribly. It stands out mainly for including a joke revolving around the word 'boobs.'

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RogerEbert.com
11 December 1998 · Roger Ebert
35*

The film feels inert and unconvincing because the filmmakers themselves question its ethical premise about displacing 600 Ba'ku to grant immortality to billions. It fails to generate much entertainment value from the philosophical debates and comes across as an expanded but lackluster TV episode.

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Den of Geek
27 July 2016 · Alex Carter
25*

The critic finds the film not good at all, calling it the epitome of the odd-numbered curse and the weakest Trek film, criticizing the flawed script, unlikable Ba'ku characters, and pointless plot elements. They single out the competent direction by Jonathan Frakes and decent performances but note they can't overcome the bad story.

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Eye for Film
19 January 2001 · Angus Wolfe Murray
20*

The critic finds the film suffers from a lack of imagination, criticizing its sanitized, unoriginal story and bland execution, though noting F. Murray Abraham's performance adds some interest. They view it as a disappointing extension of the TV series.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate