Critics’ reviews

Steel Magnolias (1989)

9 reviews from 9 publications. Critics’ score 54: 2 positive, 4 mixed, 3 negative.

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54
Positive
2
Mixed
4
Negative
3
Radio Times
★★★★ · David Parkinson
80

Parkinson praises the film as an engaging showcase for its leading actresses. He singles out Shirley MacLaine as stealing the show with a wonderful performance.

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Variety
31 December 1988 · Variety Staff
75*

The review is warmly positive about the film and its ensemble cast. It singles out Olympia Dukakis for nearly stealing the picture and praises Sally Field’s understated performance.

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RogerEbert.com
65*

The page is blocked by a browser check, so the critic’s verdict cannot be determined. No praise or complaint can be verified from the available page text.

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The New York Times
15 November 1989
65*

The accessible page does not expose the review’s verdict. It provides no praise or complaint to summarize.

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Time Out
· SFe
64*

The page identifies this as a review, but the review text is unavailable. Its verdict and any specific praise or complaint therefore cannot be established.

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Slant Magazine
11 September 2012 · ★★★ · Eric Henderson
60

Henderson finds the film’s emotional shifts awkward but says the actresses’ camaraderie keeps it afloat. He especially praises Shirley MacLaine’s witty, well-rounded performance as Ouiser.

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Empire
1 January 2000 · Angie Errigo
35*

Errigo finds the film less persuasive than its stage source, though it retains humour and pathos. She singles out Sally Field’s performance as sensational, while criticizing Julia Roberts’s portrayal and the film’s weakened emotional force.

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IndieWire
14 May 2013 · Matt Brennan
25*

Brennan finds the 1989 film melodramatic and politically dated, though its cast achieves some chemistry. He singles out Clairee and Ouiser’s sharp exchanges as a bright spot amid the film’s syrupy portrait of women.

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Los Angeles Times
15 November 1989 · PETER RAINER
20*

Rainer finds the film’s exaggerated performances and sentimentality overwhelm its intended emotional impact. He praises Dolly Parton’s sweet, lilting presence, while criticizing Shirley MacLaine’s scenery-gobbling performance.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate