Sunset Boulevard (1950)

It's one of Wilder's finest and the blackest of Hollywood's self-accounts, narrated by a corpse in a swimming pool; the direction, performances (especially von Stroheim), and script are praised, though the film is noted for its cynicism toward humanity.

The critic praises the film's blend of Hollywood satire and gothic horror elements, highlighting its portrayal of Norma Desmond as a haunting figure trapped between past and present, and the meta-casting of silent era stars.

The review finds the film pretentious and ultimately hollow, faulting the script for substituting flashy photography and dialogue for a genuine tragedy and showing unhealthy contempt for aging stars. It acknowledges engrossing scenes and strong acting from Swanson, von Stroheim, and Holden but deems the enterprise a failure overall.

The critic hails the film as a subtle, savage and insightful satire on Hollywood that remains moving and relevant. They single out the contrasting performances of Gloria Swanson and William Holden, along with the mordant wit and formal beauty of the production, for particular praise.

The review calls the film a masterpiece and a tour of Hollywood’s village of the damned. It singles out the self-reflexive performances, especially Erich von Stroheim as Max, and Wilder’s biting exploration of fame, vanity, and the corrupting power of the industry.

The review hails the film as a triumph of motion picture craftsmanship and one of the all-time greats. It singles out the Brackett-Wilder script for its dramatic compulsion and emotional subtlety, along with Gloria Swanson's brilliant performance as the faded star.

The critic notes the film's surprising popular appeal despite its morbid story of corrupted lives and praises its brilliant, sharp, and corrosive quality as a study of greed, frustration, and Hollywood decay. It highlights the strong performances, especially William Holden's, and calls it tops in its genre.

The critic calls it a vicious classic and exhilarating critique of the soul-corroding film industry. They single out Gloria Swanson's towering performance as Norma Desmond and the script's withering wit for praise.

The review hails the film as one of the greatest ever made and essential for collectors. It praises Gloria Swanson's portrayal of the delusional Norma Desmond for evoking pity and fear, along with Erich von Stroheim's supporting turn and the array of legendary cameos.

The piece celebrates Sunset Boulevard as a landmark film noir that demystifies old Hollywood myths and exposes industry cynicism. It singles out the strong performances, particularly Gloria Swanson as Norma Desmond and Erich von Stroheim as Max, along with the film's sharp behind-the-scenes insights.