Critics’ reviews

Swingers (1996)

10 reviews from 10 publications. Critics’ score 74: 5 positive, 0 mixed, 1 negative.

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74
Positive
5
Mixed
0
Negative
1

Most critics respond warmly to Swingers, with praise clustering around Jon Favreau’s witty, self-deprecating screenplay and the performances of Favreau and Vince Vaughn. The reviews repeatedly find its male friendships believable, recognising the insecurity beneath the characters’ attempts to appear cool. Several also value the film’s affection for its struggling Los Angeles actors, while its soundtrack, use of locations and Doug Liman’s assured direction receive further approval.

The main disagreement concerns how much charm those men possess, rather than how convincingly their behaviour is observed. Time Out finds the film smug and smarmy but still recommends it for Vaughn’s performance and Favreau’s quotable dialogue. HeyUGuys offers a much harsher reappraisal, finding the central character selfish and his friends obnoxious, with little charm to compensate. The spread is therefore wide, though the prevailing view sees recognisable awkwardness and appealing camaraderie where the strongest dissent sees merely unpleasant company.

Total Film
11 July 1997
85*

The critic calls it a slick and fast-moving comedy that succeeds despite its tiny budget. The playful script, top performances, and cool soundtrack are highlighted as turning it into a surefire cult hit.

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Empire
1 January 2007 · Neil Jeffries
80*

The critic praises the film's charm and hilarious script despite its low budget and rough edges. The witty dialogue and performances by Favreau and Vaughn are singled out as making it an unmissable comedy of male bonding.

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Radio Times
★★★★
80

This is praised as an honest and highly original exploration of male friendship and neuroses. Superb performances by Vince Vaughn and Jon Favreau, along with affectionate direction, are highlighted.

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Time Out
10 September 2012 · TCh
75*

The critic finds the film smug and smarmy yet recommends seeing it anyway. Vince Vaughn's performance as the irrepressible Trent and the quotable script by Jon Favreau are singled out for praise.

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Los Angeles Times
18 October 1996 · Kenneth Turan

The critic calls it a pleasant shock, a guy film that makes male bonding believable and appealing with rueful humor, unpretentiousness, and confident hipness. It singles out the clever script, fondness for its characters, and effective use of Los Angeles locations and atmosphere.

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The AV Club
29 March 2002 · Stephen Thompson

The critic praises the film's bright, funny, and realistic script, which focuses on the everyday lives and friendships of struggling LA actors rather than its swing-dance setting. Special note is made of Jon Favreau's intelligent screenplay and endearing performance alongside Vince Vaughn's charismatic turn.

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The New York Times
18 October 1996

The critic finds the film irresistible, praising its inverted sense of high style that turns the characters' awkwardness into counter-cool and its appealing camaraderie among the cast. The self-deprecating screenplay centers on a newcomer's struggles to fit in after moving to Los Angeles.

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Variety
9 September 1996 · festival review

The critic describes it as a sweet and funny guy movie and confident snapshot of young showbiz wannabes' nightlives in Hollywood, engaging and refreshingly human in its humor. It singles out the promising new talent and the sure touch of first-time director (and cinematographer) Doug Liman, with homages to Scorsese and Tarantino.

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Eye for Film
6 June 2005 · Angus Wolfe Murray
80*

The critic finds the film funny because it is true to life. He singles out its authentic take on male friendship among struggling actors in LA and the realistic, slanged dialogue.

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HeyUGuys
9 October 2009 · Barry Steele
30*

The critic reappraises the film negatively on rewatch, calling the central character whiny and selfish and his friends loud, obnoxious and unlikeable. He singles out the unlikeable male dynamics and lack of genuine charm.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate