Most critics like The Addams Family, though rarely with much force. The praise lands almost entirely on the casting: Anjelica Huston’s Morticia is named in nearly every review as the film’s best decision, with Raul Julia’s Gomez, Christopher Lloyd’s Fester and Christina Ricci’s Wednesday close behind. Several also credit Sonnenfeld with keeping the black humour of Charles Addams’ cartoons intact, and the production design and camera tricks draw approving mentions.
The reservations cluster on the story, or the lack of one. Even the warmer reviews describe a string of gags and one-liners rather than a plot, and the harsher ones say those gags never build into anything. The spread is wide: six reviews are positive and three firmly negative, with Variety calling it a major disappointment and The New Yorker finding it misses the cartoons’ subversive edge. The Los Angeles Times concedes the visual splendour but finds little to hold the attention.
