The Best Exotic Marigold Hotel (2012)

Jones finds the film a feel-good story about resilience, though it becomes slightly predictable. He praises Dev Patel’s subtle performance and the transformative effect of the pensioners’ shared experiences.

Rooney finds the film a warmly satisfying, pleasure-filled story, despite its schematic screenplay and predictable turns. He particularly praises the sensitive performances, singling out Tom Wilkinson’s tender portrayal of Graham’s regret.

Sharkey finds the comedy’s infectious charm and hopefulness outweigh its predictable moments. She especially praises the ensemble, with Judi Dench’s portrayal of Evelyn singled out as moving.

Smith finds the comedy-drama enjoyable, charming and amusing, though Muriel’s racism is overused for laughs. She praises the light humour and the spark between Judi Dench and Bill Nighy.

The critic finds the film polished and engaging despite its conventional approach. Dench’s wide-ranging performance and the cast’s work earn particular praise.

Felperin finds the comedy-drama frequently droll and likable, though predictable and occasionally overstuffed. She praises the seasoned cast for giving the material emotional resonance and landing its wry lines.

The page identifies this as a review, but its verdict is not visible in the accessible text. The paywall also hides what the critic singled out for praise or complaint.

The page did not provide the review text, so its verdict cannot be determined. No specific praise or complaint is available to report.

The critic finds the film clichéd but ultimately warm and human. They single out Maggie Smith’s presence and the touching performances by Tom Wilkinson and Bill Nighy as its strengths.

The 2/5 rating indicates a negative verdict. The available description singles out the film’s premise of British retirees relocating to Jaipur, but the review text is unavailable.

The critic finds the film’s cosy comedy shallow, with its pleasure in the ensemble cast quickly wearing thin. They single out its reliance on Indian clichés and light laughs instead of the novel’s deeper concerns.

The review finds the film sentimental and dramatically facile, despite some fun in its star cast. It singles out Tom Wilkinson’s performance as the sad gay judge as the one element that transcends the film’s weaknesses.

The critic finds the film flat, faulting its shallow characterization and thin portrayal of India despite its accomplished cast. The jokes are singled out as the film’s main strength, though many feel generic and are already featured in the trailer.

French finds the film shallow and patronising, despite being not wholly untruthful. He criticises its stereotyping of British retirees and its neglect of the local world.

The critic finds the film sweet, moving and emotionally engaging, with a meaningful message about ageing. They single out the seasoned cast, especially Tom Wilkinson’s touching story and Judi Dench’s central performance, while noting that Maggie Smith’s character transformation feels unconvincing.

The critic finds the film predictable but irresistibly crowd-pleasing and satisfying. They praise the accomplished cast, especially Judi Dench and Tom Wilkinson, for bringing humor and poignancy to the material.

Wilkinson finds the film warmly enjoyable despite broad humor and predictable turns. She praises the veteran cast and the vivid depiction of Jaipur, while criticizing the comparatively weak youth storyline.

The review finds the film gentle, entertaining and charming despite its predictable plot. It particularly praises the ensemble cast, singling out Judi Dench’s performance and narration.

Mathews finds the film pleasant but lethargic, with weak writing and an overly cute ending that undercuts its character depth. He praises Bill Nighy’s performance and the film’s warm, eye-catching visuals.

Lambie finds it pleasant, watchable entertainment despite a predictable plot and excessive length. He especially praises Maggie Smith’s performance and the warm, witty script.

Dunn finds the film schematic, though its cast makes it frothy and entertaining. He praises the performers’ ability to elevate the dialogue but objects to a subplot that plays as tabloid wish fulfillment.