
Most critics respond warmly to The Breadwinner, praising its account of an Afghan girl supporting her family under Taliban rule. The animation draws particular approval for combining the detail of daily life with expressive, storybook-style fantasy. Reviews repeatedly credit the film with making cruelty and oppression comprehensible through a child’s perspective without softening their seriousness. Parvana’s resourcefulness and emotional depth, the voice performances and the attention to Afghan culture also attract praise, while storytelling itself is widely seen as a convincing source of resilience.
The spread is broad, but dissent is isolated: eighteen of the nineteen reviews are positive. RogerEbert.com admires the heroine and visuals while finding some subplots clumsy and the pacing uneven. Slant Magazine supplies the sole negative assessment, arguing that the disguise receives too little emotional exploration and finding the embedded fables uninteresting—the same sequences that many other critics regard as central to the film’s achievement.
T
Time Out
22 May 2018 · ★★★★★ · Phil de Semlyen
100
The critic praises the film as a must-see animation that tackles cruelty, injustice and misogyny while remaining suitable for families. The power of storytelling as escape and resilience is singled out for particular praise.
Read the full review →E
Empire
18 May 2018 · Ian Freer
90*
The critic finds the film a sublime, heartfelt animated drama that contrasts sharply with formulaic Hollywood animation. Twomey is praised for her skillful blend of gritty realism and fantastical storytelling elements that highlight the power of narrative amid oppression.
Read the full review →I
IndieWire
17 November 2017 · David Ehrlich
90*
The review hails the film as the best animated feature of 2017, describing it as a gorgeous and sobering fable about systemic misogyny that showcases the power of animation.
Read the full review →L
Los Angeles Times
17 November 2017 · Kenneth Turan
90*
This striking and affecting animated film reminds viewers that animation can be every bit as much a medium for adults as for children. The critic highlights its vivid sense of a specific culture and gift for strikingly beautiful visuals in dusty Kabul.
Read the full review →H
The Hollywood Reporter
24 October 2017 · THR Staff
90*
The critic praises the film's vibrant yet harrowing portrayal of an Afghan girl's resilience under Taliban rule, noting how it maintains a child's perspective while blending brutal realities with enchanting storytelling.
Read the full review →T
The Times
24 May 2018 · ★★★★☆ · Ed Potton
90*
An elegant animation about an Afghan girl who poses as a boy to feed her family under the Taliban, tackling difficult subjects with devastating economy and beauty. It renders bigotry, beatings and bombs in a way that is disturbing without being damaging, with echoes of Persepolis.
Read the full review →V
Variety
3 November 2017 · Peter Debruge
90*
This powerful animated film serves as an appeal for women’s rights and a celebration of the creative spirit in its story of an Afghan girl supporting her family. The critic praises its empathetic look at the plight of women and the essential optimism conveyed through the heroine and score.
Read the full review →The film is a magical adaptation of Deborah Ellis’s novel about an 11-year-old girl who disguises herself as a boy to support her family under Taliban rule in Kabul. It blends realistic animation of daily life with fantastical storytelling sequences, praising the resilient young heroine, cultural authenticity, and the director’s debut feature.
Read the full review →L
Little White Lies
24 May 2018 · 4/4/4 · David Jenkins
80
The film is hailed as a moving and fiery takedown of fundamentalism and oppression that confirms Cartoon Saloon as a world-class animation studio. The blend of social realism with folkloric elements and its plea for cultural evolution are highlighted positively.
Read the full review →R
Radio Times
★★★★ · Victoria Luxford
80
This is described as an accomplished animated drama that elevates the genre beyond mere entertainment through its layered storytelling. The superb animation, ambient sound, vocal performances and gentle handling of harsh realities like grief and oppression are praised.
Read the full review →T
The Telegraph
24 May 2018 · ★★★★
80
Fantasy and reality collide in this animated tale of a girl in Taliban-controlled Kabul who poses as a boy to save her imprisoned father. The film vividly conveys the regime’s brutality through impressive animation while interweaving a visionary fantasy sequence in its powerful finale.
Read the full review →F
Financial Times
23 May 2018 · ★★★★☆ · Nigel Andrews
70*
A childlike but harrowing animated feature set in Taliban-ruled Afghanistan, following an 11-year-old girl who becomes the breadwinner by dressing as a boy. Its power lies in the simplicity of colours and line-drawing, vivid storytelling, and gorgeous surreal fantasy sequences within the film.
Read the full review →R
RogerEbert.com
17 November 2017 · Peter Sobczynski
70*
The film is an ambitious but occasionally uneven animated story of a young Afghan girl who disguises herself as a boy to support her family under Taliban rule. The critic praises its visual impressiveness and the sympathetic, compelling heroine while noting narrative clunkiness in subplots and pacing.
Read the full review →N
The New York Times
16 November 2017 · NYT Critic’s Pick · Glenn Kenny
70*
The animated film is worth celebrating as a work that qualifies in some ways as reportage on life under Taliban rule in Afghanistan. The critic singles out the director’s nuanced characterization and action along with the strong voice cast.
Read the full review →S
Slant Magazine
15 November 2017 · ★/4 · Diego Semerene
25
The critic faults the film for treating cross-dressing merely as a pragmatic plot device without exploring its subjective or emotional consequences for the protagonist, and finds the embedded fables uninteresting.
Read the full review →S
The Skinny
27 February 2018 · ★★★★★ · Ross McIndoe
100
The critic praises the film's powerful balance between the cuteness and colour of its animation and the grim realities of life in war-torn Afghanistan. They single out the depth of expression in the characters and the inventive storybook-style sections for particular praise.
Read the full review →P
Paste
20 November 2017 · 9.0 · Andy Crump
90*
The critic finds the film timely and artistically assured, praising its cel-shaded animation and the story of a young Afghan girl who disguises herself as a boy to support her family under Taliban rule. Parvana's strength and the film's cultural scope are highlighted as standout elements.
Read the full review →W
The Wrap
8 September 2017 · festival review · Steve Pond
85*
The critic finds it a beautifully rendered animated film with a powerful story that stands out and could contend for Oscars. They single out the integration of Parvana's storytelling sequences with the main narrative as a glorious demonstration of the power of myth and truth.
Read the full review →E
Eye for Film
28 November 2017 · Jennie Kermode
80*
The critic calls the film intelligent, humane and multi-layered, praising it as a substantial work that goes beyond its heroic narrative. They single out its portrayal of the depth and richness of Afghan culture and Parvana as an emotionally complex heroine.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate