Most critics respond warmly to Cronenberg’s horror film, finding an affecting love story within its account of physical decay. Praise centres on Jeff Goldblum’s sensitive, sometimes funny performance and his chemistry with Geena Davis, which give the bodily transformation emotional weight. The effects earn admiration for making deterioration disturbing, while the concentrated action keeps attention on the characters. Across the positive reviews, disease, ageing and the loss of self matter as much as the shocks.
The principal division concerns how much gore that emotional core can withstand. Even favourable reviews warn that the physical detail may overwhelm squeamish viewers, but generally see it as essential to the film’s impact. The New York Times is the clear dissenter, arguing that the goriness distracts from and eventually damages an ambitious film, despite Goldblum’s heart and humour. The positive assessments cluster fairly closely; that objection accounts for the sharpest split.
