Most critics greet The General with strong enthusiasm, with praise concentrated on Buster Keaton’s physical performance and the construction of the train chases. The reviews repeatedly single out his dangerous stunt work, precise timing and ability to build elaborate comedy around machinery while keeping his expression composed. Several also stress how well the action and comedy work together: the gags sustain the pursuit rather than interrupt it. The Civil War setting and location work receive praise for giving the slapstick scale and a convincing backdrop.
The spread is wide, but dissent is isolated: thirteen reviews are positive and one is negative. Variety’s contemporary review rejects the central chase as elementary and finds the comedy unsuccessful. The New Yorker’s early response is milder than the later acclaim, describing a quiet, pleasant diversion. Reservations do not form a shared complaint; the main difference is between measured enjoyment and wholehearted admiration.
