Critics’ reviews

The Good Boss (2021)

17 reviews from 17 publications. Critics’ score 64: 8 positive, 9 mixed, 0 negative.

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64
Positive
8
Mixed
9
Negative
0

Most critics enjoy The Good Boss, and nearly all of them agree on why: Javier Bardem. Almost every review singles out his performance as the provincial factory owner who mistakes himself for a benevolent patriarch, and the praise clusters on how he moves from charm to ruthlessness without appearing to change gear. The satire on corporate corruption and image management is found amusing, slick and easy to sit through.

The reservations are about everything around him. Several reviews call the satire obvious, the metaphors overworked and the running time too long, and a few say the film has little to offer once the star is set aside. The spread is narrow: eight reviews are positive, nine mixed, none negative. Collider is the outlier, rating it well above the rest, while The Times dissents the other way, finding the boss too bland to matter.

Sight and Sound
14 June 2022
80*

Bardem excels as the slick but amoral factory boss whose unethical practices unravel amid a bid for a business award. The film is praised as a character-driven satire on hypocrisy, corruption and image management in contemporary Spain.

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Vulture
26 August 2022 · David Edelstein
80*

The critic praises the film's allegory of corporate equilibrium maintained through duplicity and Bardem's measured, authoritative performance as the charming yet ruthless boss. It sneaks up as a sharp satire on an entire civilization's complicity.

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Slant Magazine
9 September 2022 · Pat Brown
70*

Bardem creates a complex portrait of a randy, imperious CEO in this droll satire; the film suggests there may not be much daylight between a good boss and a true villain. The obviousness of the premise works because the absurdity is the point.

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The Guardian
17 July 2022 · Peter Bradshaw
70*

The star delivers a masterclass in reptilian charm as the unscrupulous head of a provincial firm, but Fernando León de Aranoa’s tragicomedy can feel heavy-handed. An impressively slick and slimy performance from Javier Bardem is the standout selling point for this serviceable if workaday satire on corporate corruption.

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Variety
24 September 2021 · festival review · Guy Lodge
65*

The critic finds the corporate satire amusing but too long, languidly paced and lacking sharpness, with Bardem's magnetic, riveting performance as the blandly evil boss providing the main reason to watch.

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Little White Lies
15 July 2022 · 4/3/2 · David Jenkins
60

Bardem delivers a committed lead performance in this light workplace comedy about a seemingly benevolent scales factory owner whose abuses of power catch up with him. The film is seen as undemanding and ultimately unmemorable fluff.

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Los Angeles Times
27 August 2022 · Geoff Berkshire
60*

Bardem's mischievous turn anchors the slick social satire about a not-so-good boss obsessed with awards, but the film offers little substance beyond its star and obvious metaphors.

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Radio Times
★★★ · Kevin Harley
60

Bardem personifies corporate corruption as the patrician boss of an industrial scales firm whose fling with an intern threatens his pursuit of a business excellence award. The satire is slight, with overworked metaphors and uneven pacing, but Bardem nails the character's amorality.

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Screen Daily
21 September 2021 · festival review
60*

Bardem dominates this slick comic morality tale about a provincial Spanish factory owner whose dysfunctional 'family' business unravels during a bid for an excellence award. The film is entertaining but feels comfortable and déjà vu, with a strong final scene hinting at greater depth.

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IndieWire
25 August 2022 · Christian Blauvelt
50*

A towering performance from Bardem anchors the film, which otherwise lacks a strong point of view. The satire on capitalism and the boss's smarmy charm are highlighted but not fully developed.

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The Hollywood Reporter
21 September 2021 · festival review · Jordan Mintzer
50*

The critic finds it slickly entertaining but notes that the jokes tend to be too broad and the themes too tritely handled. Bardem delivers a strong turn in this dark workplace dramedy about a factory boss maintaining power through manipulation.

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The New York Times
25 August 2022 · Ben Kenigsberg
50*

Bardem delivers prime material in a dark comedy about a manipulative boss using underhanded tactics for a business award, but the satire is deemed facile and not especially incisive.

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The Times
15 July 2022 · ★★★☆☆ · Kevin Maher
50*

There are seeds of greatness in this Spanish workplace satire, but the boss character is too bland to matter and dilutes the impact. The result is a perfectly acceptable wry-smile movie, nothing more.

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Collider
24 August 2022 · A- · Chase Hutchinson
90

The critic praises the film as a sly satire showcasing Javier Bardem's chilling performance as a manipulative, cruel factory owner who maintains a facade of benevolence. They single out Bardem's ability to shift from charming to ruthless as the standout element that elevates the entire movie.

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Deadline
22 September 2021 · festival review · Stephanie Bunbury
70*

The critic praises Bardem's riveting performance as the charming but manipulative factory owner who believes himself a benevolent patriarch. The film is highlighted for its dark comedy built on dramatic irony and the boss's self-delusion.

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Eye for Film
8 April 2022 · festival review · Amber Wilkinson
70*

The critic finds Javier Bardem's central performance elevates the satire above the ordinary, balancing charm with ruthlessness. The film blends mainstream situational comedy with small-town satire but could have embraced its darker elements more fully.

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The Wrap
26 August 2022
70*

The review finds the dark comedy effective thanks to Bardem's mesmerizing, underplayed turn as the self-satisfied boss, though it notes the script feels unsubtle and the film runs too long. Bardem's familiar, unsettling portrayal of everyday authority is singled out as the film's main strength.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate