Most critics enjoy The Good Boss, and nearly all of them agree on why: Javier Bardem. Almost every review singles out his performance as the provincial factory owner who mistakes himself for a benevolent patriarch, and the praise clusters on how he moves from charm to ruthlessness without appearing to change gear. The satire on corporate corruption and image management is found amusing, slick and easy to sit through.
The reservations are about everything around him. Several reviews call the satire obvious, the metaphors overworked and the running time too long, and a few say the film has little to offer once the star is set aside. The spread is narrow: eight reviews are positive, nine mixed, none negative. Collider is the outlier, rating it well above the rest, while The Times dissents the other way, finding the boss too bland to matter.
