The Good Nurse (2022)

Laffly finds the film a soulful, quietly devastating drama that makes a persuasive political case against the for-profit healthcare system. She especially praises Jessica Chastain’s understated, empathetic performance as Amy.

DeFore calls the film gripping and refreshingly unmanipulative, while condemning the profit-driven hospital system that lets danger persist. He praises the restrained performances, especially Redmayne’s portrayal of a nurse whose apparent concern remains convincing even as suspicion grows.

Bray gives the film a clearly positive verdict as a tense, thoughtful true-crime drama. She especially praises Jessica Chastain’s performance and the film’s focus on institutional failures.

Tallerico gives the film a positive assessment as a tense procedural. He singles out the performances for praise, especially the work of Jessica Chastain and Eddie Redmayne.

Erbland finds the drama chillingly effective, though its emotional distance may leave some viewers cold. She praises Jessica Chastain’s quiet, powerful performance and the focus on Amy’s perspective.

The review appears positive, describing the film as an effective character study. It singles out Eddie Redmayne’s portrayal of a complex killer.

The standfirst presents the thriller positively, highlighting its superb acting. It singles out Eddie Redmayne and Jessica Chastain’s performances.

The critic finds the film a subtly crafted, effective thriller that also indicts the healthcare system that enabled the killings. She praises Jessica Chastain’s vulnerable performance and Eddie Redmayne’s understated, unsettling portrayal.

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Lee finds it a solid but ultimately flawed crime drama that loses momentum near the end. He especially praises Jessica Chastain’s subtle, affecting performance, while noting that Eddie Redmayne’s character feels underdeveloped.

Hanson finds the film’s performances initially nuanced but says manufactured suspense and implausibilities undermine it. He praises the performances for a time, while criticizing the conventional thriller turn and histrionic climax.

Chang finds the film an uninsightful, forgettable true-crime drama that fails to make its killer compelling. He praises Jessica Chastain’s strong, unfussy performance, while criticizing Eddie Redmayne’s exaggerated portrayal.

Hammond calls it one of 2022’s best films, praising its compelling, slow-burning approach. He singles out Jessica Chastain and Eddie Redmayne for two exceptional performances.

Amidon finds the film a thoughtful, compelling true-crime drama, elevated by two standout lead performances. She especially praises Eddie Redmayne’s quietly unnerving portrayal of Charles Cullen.

The review finds the film worthwhile despite its clichés and procedural shortcomings. It especially praises Jessica Chastain’s powerful, believable performance as Amy.

Miles finds the film a tense, worthwhile thriller, though its plot is somewhat predictable. She praises the subdued, emotionally resonant performances by Jessica Chastain and Eddie Redmayne.

The critic finds the film mostly effective, praising its tense, carefully paced procedural approach. Chastain’s warm, attentive performance stands out, though the film’s more theatrical moments undercut its subtlety.

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The critic finds the film a slow-burning, well-crafted watch, though its intimate thriller and broader social commentary do not quite come together. They single out the sound design for drawing effective parallels between hospitals and prisons.

The critic finds the film disappointingly flat and lifeless despite its chilling true-crime premise. Redmayne’s subdued portrayal of Charlie is singled out as unsettling, while the contrived police subplot draws criticism.

The critic finds the film a pallid procedural thriller that gestures toward systemic healthcare failures without exploring them deeply. They praise the performances of Jessica Chastain and Eddie Redmayne, while faulting the drama for feeling stiff and dreary.

Kermode finds the film flaccid, predictable and disappointing, despite Jessica Chastain’s strong performance. She especially praises Chastain for giving Amy depth, while criticizing the film for reducing victims to statistics.