Critics’ reviews

The Great Escape (1963)

9 reviews from 9 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

Back to our review of The Great Escape

5 of 6
Positive
3
Mixed
1
Negative
1
Radio Times
★★★★★ · Andrew Collins
100

This is one of the all-time great war movies, celebrating the indomitable spirit of Allied POWs through an intricate escape plan. Sturges excels at detailed staging and ensemble casting, with McQueen's supercool performance and Bernstein's score standing out.

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Variety
31 December 1962 · Variety Staff
80*

The critic praises the film for entertaining, captivating, thrilling and stirring the audience through its depiction of a bold POW escape plot, highlighting strong performances especially by Steve McQueen and Richard Attenborough, and Elmer Bernstein's score.

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The New Yorker
17 August 1963 · Jonathan Miller
70*

The critic finds the film harmlessly entertaining, appreciating the ingenuity of the escape efforts and the male camaraderie among the prisoners, with good boisterous performances by Steve McQueen and James Garner, while noting its nostalgic, miniature charade quality.

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Time Out
11 September 2012 · CPe
65*

The film is an uneven but entertaining WWII escape drama that felt old-fashioned even on release. It features memorable sequences, a strong cast led by Steve McQueen as the Cooler King, and an iconic motorcycle stunt in the final half hour.

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The New York Times
8 August 1963
30*

The critic finds the film artificial and mechanical, with make-believe men and an overly romanticized, arrogant portrayal of defiance in the POW camp that relies on clichéd Hollywood tricks rather than real human involvement.

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Empire
1 January 2000 · Bob McCabe

The film humanises a significant WWII event and introduces generations to war through its story of the mass POW escape. It singles out Steve McQueen's iconic motorcycle jump and Elmer Bernstein's defiant score for praise.

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Evening Standard
10 April 2012

The American-scale production is impressive with its ensemble and McQueen's cool persona and stunts, but the critic prefers more intimate escape stories like The Colditz Story. It notes the film's fictionalised, propaganda-tinged portrayal of likeable Germans.

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Slant Magazine
21 May 2013 · Chris Cabin

The critic praises Sturges's focus on the prisoners' collaborative tunnel-building effort and international teamwork as a metaphor for filmmaking, while noting that the film soft-pedals the grim realities of the POW experience.

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The AV Club
18 May 2004 · Scott Tobias

The critic calls the film a workmanlike adventure epic that excels in its authentic heist-like breakout sequences and lighthearted diversions but struggles with the grim historical outcome, crediting McQueen's motorcycle scenes for providing a rousing close.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate