Rabin finds the film clever and deeply sad, with its heartbreak earned rather than sentimental. He singles out the classroom’s dazzling verbal sparring and a student’s poignant song for praise.
Read the full review →Critics’ reviews
The History Boys (2006)
10 reviews from 10 publications. Critics’ score 65: 4 positive, 4 mixed, 2 negative.
The review says the stage play makes an efficient transition to the screen. It praises Alan Bennett’s screenplay for its wit and intellect.
Read the full review →The review is broadly positive about the film. The article text is unavailable, so its specific praise cannot be verified.
Read the full review →The available description suggests the review sees something of Joe Orton in the play. It notes the screen transfer retains the original director, but the full verdict is unavailable.
Read the full review →The page identifies this as a review, but the critic’s verdict is unavailable in the accessible text. No praise or complaint can be confirmed from the paywall shell.
Read the full review →Clark finds the adaptation holds up despite uneven direction, with Bennett’s writing and the performances carrying it. He particularly praises Stephen Campbell Moore’s richly detailed portrayal, while criticizing the perfunctory montages and inconsistent tone.
Read the full review →Nathan finds the film’s theatrical origins too formal to fully translate to cinema, though Bennett’s writing and Hytner’s direction give it real quality. He especially praises the mature actors’ richly lived-in portrayals of the teachers.
Read the full review →Felperin finds the adaptation stagy and dramatically ineffective, though it may please fans of the play. She praises Richard Griffiths and Frances de la Tour for making their monologues shine.
Read the full review →The review finds the film witty and poignant, and well worth bringing to cinema audiences. It praises the cast’s performances, especially Richard Griffiths as Hector.
Read the full review →The critic finds the film competent but flat, and less engaging than its source play. They praise the performances of Frances de la Tour and Richard Griffiths.
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