The Housemaid (2025)

The critic describes it as an over-the-top yet clever domestic thriller that fools expectations and features standout performances from Sweeney and Seyfried. It appreciates the hyperbolic edge and stylish trickiness.

The review highlights Paul Feig's skill in delivering soapy, female-driven thrillers with comedy flair, calling it indulgent women's entertainment. It commends the lead actresses for embodying the film's steamy, twisty mystery.

The review praises the film as a satisfyingly scary chiller that benefits from not taking itself too seriously. Amanda Seyfried is singled out for her wild-eyed, versatile performance as the unhinged employer.

The critic finds the film an outrageously enjoyable psycho-suspense thriller in the style of 90s erotic noir, with over-the-top acting and clever twists. Feig and the cast deliver it with terrific gusto as an innocent holiday treat.

The absurd psycho-thriller is a scream thanks to combative lead performances from Sweeney and Seyfried, who rule the roost in turn. Seyfried steals scenes with her fabulously shrill meltdowns and knowing embrace of the hokum.

The critic praises the film's twisty narrative and strong performances by Sweeney and Seyfried in a psychological thriller about secrets and empowerment behind facades. It notes the effective use of erotic thriller tropes updated for contemporary audiences.

The critic finds the adaptation ludicrous and unentertaining, a cut-and-paste thriller that fails to turn its flaws into camp appeal. Seyfried delivers a decent over-the-top performance amid otherwise weak writing and wooden leads.

The critic calls the film a dull, style-over-substance schlocky adaptation of a problematic book, with a threadbare plot and obvious beats. It singles out the glossy visuals and kitschy vibe as insufficient to mask the thin characters and ill-advised central conceit.

The critic calls it glossy nonsense and a tacky, ridiculous bargain-bin cousin to Feig's earlier thrillers, with weak mystery plotting and a passive lead that fails to build tension. Seyfried's manic energy as Nina stands out amid the slack pacing and overlong runtime, though the deranged final half-hour adds some chaotic fun.

The review criticizes the film as toothless and tonally incongruous, praising the twist but noting it falls short of deeper themes, with unconvincing performances.

The critic finds the twisty thriller entertaining holiday fare with strong performances, especially from Amanda Seyfried, but notes it holds back on camp and is too long.

This is hugely enjoyable guilty-pleasure film-making, with Sweeney shining as the resilient housemaid in a daft domestic thriller full of pleasing touches and an audacious volte-face leading to a Grand Guignol finale.

The critic finds it a winking comedy-thriller with genuine suspense and kitschy humor that delivers glorious, angry, hilarious, nail-biting fun. The review singles out the cast's enjoyment and Feig's assured handling of the high-camp tone and clever script.

The critic calls it a trashily entertaining, dizzying guilty pleasure that turns Amanda Seyfried and Sydney Sweeney into modern-day Davis and Crawford in a heightened operatic ride full of twists. He praises the audacity of the story, Feig's direction of the female stars, and the over-the-top performances as delicious fun.

The critic praises Paul Feig's assured direction of a tight, wicked script, noting the strong performances by Sydney Sweeney and Amanda Seyfried and the film's focus on class, abuse, and female solidarity. It is described as an immensely enjoyable thriller with effective twists and among Feig's best work.

The film is uneven overall, with a slow and predictable first half that feels like a slog, but it delivers one of the year's most entertaining twists and a wildly campy, fun finale. Amanda Seyfried's stellar, wide-ranging performance stands out as a highlight amid the mixed results.