Critics’ reviews

The Hunt (2012)

21 reviews from 21 publications. Critics’ score 76: 12 positive, 0 mixed, 2 negative.

Back to our review of The Hunt

76
Positive
12
Mixed
0
Negative
2

Most critics regard The Hunt as a tense, distressing drama about how readily a community turns against a man falsely accused of child abuse. Praise centres on Mads Mikkelsen’s restrained performance, which makes the teacher’s distress palpable without sentimentality. The favourable reviews also credit Thomas Vinterberg’s controlled storytelling and the near-horror atmosphere of ordinary social ties collapsing into suspicion and hostility. Several find a useful streak of black humour amid the cruelty.

The disagreement is sharp: what most critics find convincing, a small minority finds contrived. The AV Club admires how the accusation takes hold but finds the subsequent persecution predictable and the protagonist too purely noble. Little White Lies sees manipulation and insufficient psychological depth, while the Evening Standard goes further, calling the treatment misogynistic and the suffering excessive despite strong acting. Reservations elsewhere concern limited visual expression and a lack of originality, rather than the drama’s emotional force.

Slant Magazine
5 July 2013 · ★★★★/4 · Chuck Bowen
100

Vinterberg delivers a ruthlessly precise, terrifying study of how a man's place in society is revoked, operating with unflagging nightmare logic and masterly control. Mikkelsen hauntingly conveys the toll of ostracization in this black comedy about adult credulity toward children.

Read the full review →
Film Comment
1 July 2013
85*

Vinterberg and Mikkelsen deliver a powerful drama about a false accusation destroying a man's life in a small community. The film stands out for its emotional depth and lasting impact.

Read the full review →
Empire
· David Hughes
80*

Vinterberg returns to themes of abuse with a story of a teacher victimized by false accusations in a tight-knit community. The lead performance is quietly affecting and the drama is timely and tough.

Read the full review →
Sight and Sound
30 November 2012 · Geoffrey Macnab
80*

The critic praises Vinterberg's intense, well-acted black thriller about a man falsely accused of child abuse who fights back with defiance and humor. They single out Mads Mikkelsen's performance and the film's ironic tone for praise.

Read the full review →
Time Out
27 November 2012 · ★★★★ · Cath Clarke
80

The critic calls it a nerve-shredding, timely drama about the devastating effects of false accusations in a small community, praising the lean storytelling and Mikkelsen's transformation.

Read the full review →
Screen Daily
20 May 2012 · festival review
75*

The critic hails it as a confident return to form for Vinterberg, praising the intense exploration of how a community turns on one of its own and Mikkelsen's performance.

Read the full review →
The AV Club
11 July 2013 · B- · Mike D'Angelo
70

The film excels in depicting how the false accusation takes hold but becomes predictable afterward, with Mikkelsen as a pure noble victim and the town's reaction evoking Frankenstein villagers; it evokes sympathy but little else.

Read the full review →
Little White Lies
29 November 2012 · 3/2/1 · David Jenkins
40

The critic finds the film manipulative and cynical, criticizing its simplistic portrayal of community hysteria and lack of psychological depth despite Mikkelsen's performance.

Read the full review →
Evening Standard
22 November 2014 · Charlotte O'Sullivan
30*

The film is a hysterical misogynistic soap opera that fails to rigorously explore its witch-hunt theme despite strong acting. It overdoes the abuse heaped on the protagonist and does not live up to the hype.

Read the full review →
Los Angeles Times
11 July 2013 · Betsy Sharkey

The critic describes the film as a devastating and heedful cautionary tale about the destructive power of a single lie and community panic. It praises Mikkelsen’s riveting portrayal of the besieged teacher and Vinterberg’s restraint in handling the sensitive subject.

Read the full review →
RogerEbert.com
12 July 2013 · Ignatiy Vishnevetsky

The critic highlights Mads Mikkelsen’s nuanced performance as an innocent man wrongly accused, conveying his inner turmoil effectively. The film is praised for exploring themes of false guilt and community hysteria but faulted for its overly restrained, actor-focused style that limits visual expression.

Read the full review →
The Guardian
29 November 2012 · Peter Bradshaw

Vinterberg storms back to form with a gripping drama-thriller about a man wrongly accused of child abuse that has the atmospheric grip of a horror film. The critic singles out Mads Mikkelsen's outstanding lead performance and the viscerally convincing setpieces of community hostility.

Read the full review →
The Hollywood Reporter
19 May 2012 · festival review · David Rooney

Vinterberg's most powerful film since Festen, propelled by Mads Mikkelsen’s shattering performance as the blameless man whose life is destroyed by a false allegation. The film is difficult to watch but riveting, superbly acted with credible psychological horror.

Read the full review →
The New York Times
11 July 2013 · Critic's Pick · Stephen Holden

The review calls the film a merciless examination of fear and savagery beneath bourgeois life in a small Danish town. It singles out Mikkelsen’s riveting performance as the falsely accused teacher for praise while noting the story’s nightmarish quality.

Read the full review →
Variety
20 May 2012 · festival review

The review finds the film absorbing in its exploration of the ripple effects of a false accusation but not particularly innovative. It notes Vinterberg’s return to Cannes with another child-abuse-themed drama that fits into recent solid Danish arthouse fare.

Read the full review →
Digital Spy
30 November 2012 · ★★★★★ · Emma Dibdin
100

Vinterberg's film is a subtle and terrifying gem about how quickly a community turns on an innocent man due to a child's false accusation. Mikkelsen's restrained performance anchors the drama and highlights themes of injustice and mass hysteria.

Read the full review →
Collider
11 September 2012 · A · Phil Brown
95

The critic praises Vinterberg's gut-ripping drama about a false accusation in a small community, highlighting its thoughtful construction and lack of sentimentality. Mads Mikkelsen's performance as the innocent teacher is singled out as excellent and central to the film's power.

Read the full review →
The Playlist
11 July 2013 · A- · The Playlist Staff
90

The critic calls the film one of the most brilliantly unsettling and tension-laden in recent memory, an effective watch that signals a return to form for Vinterberg. Mads Mikkelsen's masterly performance is highlighted as central to the film's impact.

Read the full review →
HeyUGuys
30 November 2012 · ★★★★ · Ian Gilchrist
80

The critic praises the film as a powerful drama about how quickly a false accusation can destroy a life and how communities turn on one of their own. Mads Mikkelsen's performance as the wrongly accused Lucas is singled out as outstanding.

Read the full review →
Eye for Film
15 October 2012 · Owen Van Spall
75*

The review highlights Vinterberg's effective drama about a community turning on one of its own after a false accusation, calling it an angry but well-put-together film. Mads Mikkelsen's intense performance is singled out for praise alongside the sharp cinematography.

Read the full review →
Paste
22 July 2013 · 8.2 · Curtis Woloschuk

The critic calls it a harrowing character study that indicts human nature and rushes to judgment in a rural community, comparing it to West Memphis Three cases. Mads Mikkelsen's resilient yet devastating performance is praised as the emotional core.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate