Critics’ reviews

The Jungle Book (2016)

29 reviews from 29 publications. Critics’ score 75: 25 positive, 3 mixed, 1 negative.

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75
Positive
25
Mixed
3
Negative
1

Most critics like it. The praise clusters almost entirely on the digital jungle and the animals in it, which reviewers repeatedly call convincing enough that you stop noticing they are not real. Favreau’s light touch gets credit for keeping the story buoyant rather than solemn, and Bill Murray’s Baloo is the performance named most often, with Neel Sethi’s Mowgli a regular second.

The reservations are consistent and mostly minor. Several reviews find the songs sit awkwardly in a film built as a chase, and a few think it thin on theme and loose in structure. The 1967 film hovers over everything, and some critics find the remake colder and further from Kipling than they would like. The spread is narrow: only one review is outright negative, The New Yorker’s, which calls the film controlled and flat and short on real peril, and Slant Magazine alone finds the chase and the musical pulling against each other.

Los Angeles Times
14 April 2016 · Kenneth Turan
85*

Turan finds the film a sweet, scary triumph and a model of crowd-pleasing entertainment. He particularly praises its photorealistic jungle world and the balance between family-friendly fun and genuine peril.

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Little White Lies
11 April 2016 · 3/4/4 · Adam Woodward
80

The review calls the film an astonishing, immersive triumph. It especially praises the richly textured digital jungle and its photorealistic creatures.

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Radio Times
★★★★ · Victoria Luxford
80

Luxford finds the film a gorgeous adventure that successfully brings magic and wonder to the story. She singles out Favreau’s jaw-dropping, CGI-enabled action for praise.

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The Guardian
12 April 2016 · ★★★★ · Peter Bradshaw
80

Bradshaw calls the remake a tremendous success and an unexpectedly enjoyable piece of old-fashioned storytelling. He particularly praises the persuasive digital rendering of the animals and Bill Murray’s amusing performance as Baloo.

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Time Out
5 April 2016 · ★★★★ · Cath Clarke
80

Clarke calls the remake a winner. The available excerpt does not identify a specific element singled out for praise or criticism.

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Variety
3 April 2016 · Andrew Barker
80*

Barker finds this a successful, buoyant adventure that avoids the po-faced seriousness of many modernized fairy tales. He especially praises Favreau’s light touch and the strikingly convincing animal effects.

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Empire
11 April 2016 · Chris Hewitt
78*

Hewitt finds it a visually sumptuous, entertaining adaptation and Disney’s strongest live-action remake yet. He particularly praises the immersive CGI jungle and Bill Murray’s scene-stealing Baloo.

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Evening Standard
15 April 2016 · Charlotte O'Sullivan
75*

O'Sullivan finds the film thrilling for adult audiences, though it may disappoint Kipling purists and lacks ambition. She especially praises the visuals, spry script, and vocal cast.

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IndieWire
12 April 2016 · B- · Eric Kohn
70

Kohn finds the film a dazzling technical spectacle that does not cohere into a satisfying whole. He particularly praises its visual effects and the frightening presence of Shere Khan and King Louie.

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Screen Daily
3 April 2016 · Sarah Ward
70*

The critic’s verdict appears positive, though the review is behind a paywall. She singles out the film’s level of detail, comparing its likely impact to that of Avatar.

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The Hollywood Reporter
3 April 2016 · Todd McCarthy
70*

The critic finds the film engaging and visually stunning, though it lacks thematic depth and becomes conventional near the end. He especially praises the lifelike CGI animals and seamless visual effects.

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Total Film
20 August 2016 · Paul Bradshaw
70*

Bradshaw finds the remake a strong standalone film, though it feels slightly cold and invites constant comparison with the original. He praises its flawless animation and pitch-perfect casting, especially Bill Murray as Baloo.

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Vulture
14 April 2016 · David Edelstein
70*

Edelstein finds the film dazzling, thrilling, and an overall success, though he says it softens Kipling’s sharper view of the natural world. He praises the kinetic journey and especially Bill Murray’s performance as Baloo, while faulting Murray’s singing of “The Bare Necessities.”

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RogerEbert.com
64*

The page could not be accessed, so the critic’s verdict is unavailable. No praise or complaint from the review can be verified.

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The New York Times
15 April 2016
64*

The page is a review of the 2016 film, but its verdict is unavailable. No specific praise or criticism can be verified from the accessible text.

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Slant Magazine
13 April 2016 · ★★/4 · Sam C. Mac
50

The critic finds the remake diminished and incoherent, arguing that its chase-film approach clashes with its musical elements. They praise the humor and lush animation but say these strengths are inherited rather than meaningfully advanced.

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The New Yorker
14 April 2016 · Anthony Lane
30*

Lane finds the remake visually impressive but ultimately flat, controlled, and less charming than the 1967 film. He praises its technical polish while faulting it for missing the original book’s richness and leaving little sense of real peril.

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Deadline
12 April 2016 · Pete Hammond
95*

Hammond calls the film a stunning visual marvel and a cinematic achievement like no other. He especially praises the visual-effects crew, while noting Bill Murray’s Baloo steals the show.

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Eye for Film
23 April 2016 · Angus Wolfe Murray
90*

The review is strongly enthusiastic, calling the film a thrilling and visually stunning success. It praises the realistic CGI animals and Favreau’s technical wizardry and imagination.

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Polygon
8 April 2016 · Julia Alexander
90*

Alexander calls the film a great, immersive experience and a major CGI game changer, despite a couple of awkward musical numbers. She especially praises the realistic CGI and Neel Sethi’s charming performance as Mowgli.

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Consequence
13 April 2016 · Dominick Suzanne-Mayer
85*

The critic considers the film a vivid, assured reimagining that balances spectacle, danger, and warmth. They especially praise its tactile digital visuals and Neel Sethi’s grounded performance.

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Digital Spy
12 April 2016 · Scarlett Russell
85*

The critic finds the film a warmly entertaining visual feast, though they wish it had more humor. They single out the lifelike visual effects and Neel Sethi’s joyful performance for praise.

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HeyUGuys
· Cassam Looch
85*

The critic finds the adaptation enchanting, fresh, and heart-warming. They single out its seamless visual effects and the depth Favreau gives the iconic characters for praise.

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/Film
15 April 2016 · 8/10 · Angie Han
80

Han gives the film a strong endorsement, especially as a theatrical 3D spectacle. She praises its photo-real visual effects and singles out Idris Elba’s menacing Shere Khan as a standout performance.

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NME
80*

The review finds the film thrilling and magical, despite one awkward musical moment. It singles out the vivid CGI action and Bill Murray’s voice performance as particular strengths.

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Paste
15 April 2016 · 8.0/10 · Melissa Weller
80

Weller finds the film’s blend of warmth and cutting-edge effects affecting, though a few pacing issues and musical numbers weaken it. She especially praises the vivid visual effects for making the imagined jungle immersive and nostalgic.

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Den of Geek
15 April 2016 · 3.5 out of 5 · Don Kaye
78*

Kaye finds the film worthwhile despite flaws in its pacing and narrative structure. He especially praises its remarkable visual effects and immersive world.

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The Wrap
3 April 2016
78*

The critic finds the remake mostly satisfying, with its visual craft and emotional story outweighing a misstep in handling the songs. The immersive effects and expressive animated animals receive particular praise.

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Collider
14 April 2016 · B- · Matt Goldberg
70

Goldberg finds the film emotionally engaging but narratively and thematically loose, with its visual effects sometimes distracting from the story. He especially praises the photorealistic animals and the heartfelt bonds between Mowgli, his wolf family, and Baloo.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate