Critics’ reviews

The King's Speech (2010)

21 reviews from 21 publications. Critics’ score 74: 9 positive, 0 mixed, 2 negative.

Back to our review of The King's Speech

74
Positive
9
Mixed
0
Negative
2

Most critics find The King’s Speech an affecting, witty historical drama, with praise centred on Colin Firth and Geoffrey Rush’s uneasy friendship. Firth’s portrayal of the king’s speech difficulties earns particular admiration for its physical demands and emotional restraint, while Helena Bonham Carter’s support also draws approval. The reviews credit David Seidler’s script with keeping the period material lively and Tom Hooper with giving the personal relationship enough space to hold attention.

The disagreement concerns how much reassurance the story can bear. Supporters acknowledge familiar plotting and calculated crowd-pleasing touches without finding them fatal. The dissent is sharper: Slant Magazine finds the psychology simplistic and the uplift contrived, while Eye for Film sees too little darkness or dramatic tension. The New York Times also objects to the sweetness and benign treatment of monarchy. Performances command broad agreement; the film’s politeness produces a much wider spread of opinion.

Film Comment
· Scott Foundas
85*

The critic calls Hooper’s period drama splendid and praises its focus on how radio transformed politics and public life. Firth and Rush deliver ideal performances balancing flourish and restraint.

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Time Out
4 January 2011
85*

Thanks to Seidler, Hooper and especially the leads, the film is an enlightening, entertaining, heartfelt and surprisingly funny crowd-pleaser focused on intimate character relationships.

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The AV Club
26 November 2010 · B+ · Tasha Robinson
83

The critic finds the film a respectably solemn yet crowd-pleasing historical drama that hits the right awards-bait marks with handsome detail and a riveting central performance from Colin Firth. It crackles with discomfort and relief in the central friendship while remaining a pleasure to watch despite its calculated trappings.

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Little White Lies
3/4/4 · Matt Bochenski
80

It is not just one of the most entertaining British films in years, but one of the most intriguing too.

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Radio Times
★★★★ · Stella Papamichael
80

This marvellously moving tale features an impressive Colin Firth as the stammering king, with deft direction capturing his limbo amid abdication and war, and strong support from Bonham Carter and Rush.

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The Guardian
6 January 2011 · Peter Bradshaw
80*

The critic praises the film as a richly enjoyable true-life drama about King George VI's stammer and his relationship with his speech therapist. Firth, Rush and Bonham Carter deliver strong performances in this witty, absorbing anti-Pygmalion story.

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Slant Magazine
19 November 2010 · Nick Schager
30*

The critic views the film as a decorous bit of middlebrow mush with a cute, complication-free portrait that strains for significance but delivers only high-minded sitcom uplift through simplistic psychologizing and contrived narrative turns. Firth's performance stands out amid the surface classiness.

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Empire
29 November 2010 · Ian Nathan

The film is an honest-to-goodness crowdpleaser about the unlikely friendship between the stammering future king and his unconventional Australian speech therapist. It singles out David Seidler’s witty, insightful script and Colin Firth’s nuanced, physically demanding performance for particular praise.

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Evening Standard
10 April 2012 · festival review · Tom Teodorczuk

A crowd-pleasing dramatic comedy that justifies the Oscar hype with polished British acting and production values. It singles out Colin Firth’s finest performance yet as the stammering George VI for conveying inner pain and making the royal feel anything but entitled.

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IndieWire
5 September 2010 · festival review · Tim Appelo

The review positions the film as a strong Oscar contender following its Telluride premiere, praising its crowd-pleasing qualities and performances.

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Los Angeles Times
26 November 2010 · Kenneth Turan

The critic highlights the memorable pairing of Firth and Rush as the film's greatest strength in bringing a true story to life. Hooper is praised for his storytelling skill that embraces popular material with intelligence and pace.

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Sight and Sound
· Philip Kemp

The film neatly balances reverence for royalty with mischievous exposure of its absurdities. Firth and Rush deliver diverting performances as the odd-couple leads.

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The Hollywood Reporter
14 October 2010 · Kirk Honeycutt

The critic calls it a riveting, intimate account of how a British king triumphed over a speech impediment with the help of an unorthodox speech coach. Colin Firth delivers a mesmerizing central performance as the man who became King George VI.

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The New Yorker
21 November 2010 · Anthony Lane

The review notes that the film aims to make viewers care deeply about a monarch's speech impediment and succeeds through the central performances. Firth and Rush are singled out for excelling in their roles amid the period reassurance of the story.

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The New York Times
26 November 2010 · Manohla Dargis

The critic finds the film a generally diverting buddy story about opposites that comes with too much sugar. Firth and Rush are praised for their appealing performances, while the director is faulted for a benign view of the monarchy and overuse of a fisheye lens.

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Total Film
29 December 2010 · Philip Kemp

A true story told with grace, good humour and heart, the film turns a potentially stuffy period piece into well-oiled entertainment through its crisp script and strong production values. It especially praises Colin Firth’s tour-de-force lead performance juggling anguish, dignity and comic swearing.

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Variety
4 September 2010 · festival review · Peter Debruge

The review describes a stirring tale of unlikely friendship that humanizes the future king through unconventional therapy and strong performances. Firth is singled out for the demanding speech scenes, with the director commended for focusing on the bond between the leads.

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Collider
19 May 2011 · B+ · Scott Wampler
83

The film is enormously successful, extremely charming, and beautifully made, with strong performances from Firth, Rush, and others, plus excellent sets, costumes, and a razor-sharp script that is funnier than expected.

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Den of Geek
7 January 2011 · ★★★★ · Michael Leader
80

The review finds the film a polished, affecting character drama with stellar performances, especially Firth’s vulnerable portrayal. Subtle stylistic touches and strong scripting elevate the familiar themes of friendship and overcoming disability.

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Paste
16 December 2010 · Josh Jackson
80*

Colin Firth's portrayal of the stuttering king is believable due to its emotional resonance, and the interplay between Firth, Rush, and Bonham Carter makes the film a joy despite a simple climax.

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Eye for Film
25 October 2010 · festival review · James Benefield
40*

The critic finds the film both funnier and more polite than expected, with strong performances from Colin Firth and Geoffrey Rush driving the central friendship and humor. However, it lacks edge, darkness, and dramatic tension, rendering the triumph-over-adversity story overly inoffensive and questionable.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate