Critics’ reviews

The Lion King (1994)

8 reviews from 8 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

Back to our review of The Lion King

5 of 6
Positive
4
Mixed
0
Negative
1
The Hollywood Reporter
27 June 2016 · Duane Byrge
90*

The critic calls the film a magnificent animated feature and certain blockbuster that will appeal across all age groups with its wise storyline, heart, humor and energy. Directors Roger Allers and Rob Minkoff are praised for crafting a multidimensional film whose crowning glories are the animators' majestic work.

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Time Out
20 March 2012 · ★★★★ · Tom Huddleston
80

The re-release confirms the film's enduring appeal through its sharp script, satisfying story and peerless vocal performances, despite a weak pseudo-world-music soundtrack. Few 3D enhancements alter the experience for those who saw it originally.

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Slant Magazine
12 September 2011 · ★★★ · Rob Humanick
75

Spectacle often dominates meaning to reductive effect, with thematic obviousness and cultural insensitivity, yet the film remains inventive and beautiful with breathtaking scenery and rapturous imagery. It works best when closest to its Shakespearean and biblical inspirations but opts for distraction over genuine wisdom or pathos.

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The Independent
6 October 1994
30*

The critic finds the film a reactionary cheer for the status quo that stigmatizes the underclass while offering an ecological gloss. Its visuals are stunning but the storytelling amounts to fast-food reactionary drivel.

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RogerEbert.com
24 June 1994 · Roger Ebert

The film is a superbly drawn animated feature that is surprisingly solemn, dealing with real issues like loss and responsibility in a way that prepares children for life's lessons. It balances fantasy with jungle realities while delivering strong performances, especially the villain Scar, and memorable sequences.

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Sight and Sound
1 October 1994

The critic finds the film saccharine and pompously aspirational in its Shakespearean allegory and original story, with flashy computer effects undermining the usual Disney charm. Fun elements like Timon and Scar's voice work are overshadowed by portentousness, making it inferior to earlier Disney classics like The Jungle Book.

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The New York Times
15 June 1994 · Janet Maslin

The Lion King is visually enchanting and contrived with spirited prettiness that no child will resist, placing it in the arc of neo-Disney classics. It has the feeling of a clever, predictable product that departs from the spontaneity of predecessors but succeeds as a spirited animal-loving entertainment.

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Eye for Film
29 August 2011 · festival review · Amber Wilkinson
80*

The critic finds the 3D re-release of the 1994 animated classic a worthwhile update that enhances the viewing experience without losing any of the film's essential emotional and comedic elements. She singles out the immersive depth added to the hand-drawn animation, particularly from the opening frames, as the standout feature that makes viewers appreciate the visuals anew.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate