The More the Merrier (1943)

The critic praises the scorching romantic chemistry between Jean Arthur and Joel McCrea as a high-water mark of comedy and romance, noting how director George Stevens gives space for charming performances amid the wartime housing crisis plot. She singles out the tender, sexy scenes and the film's handling of desire and obstacles for particular acclaim.

The critic calls the film a warm and refreshing comedy sparked by a clever idea about wartime housing in Washington. Stevens directs brilliantly in an off-hand style, with joyous situations and sparkling, spontaneous dialogue.

The review describes the film as a sparkling and spontaneous farce-comedy of the wartime era. Charles Coburn steals the show with his performance while the romantic leads carry their parts effectively amid hilarious complications.

The film is a madcap attempt to blend 1930s screwball comedy with a wartime setting focused on a Washington DC housing shortage. The critic highlights the unbeatable cast, particularly Charles Coburn's Oscar-winning turn and Jean Arthur's rapid-fire dialogue.

The critic finds it an engaging post-screwball comedy about wartime housing shortages and romantic mix-ups. They praise the sympathetic ensemble playing and Stevens' intimate direction while noting a drift towards sentimentality.

The film is a largely laughable comedy about housing shortages in wartime Washington involving a young woman, an elderly businessman, and a young inventor sharing an apartment. It features funny situations handled well by the cast, especially Arthur and Coburn, though it tends to fall apart toward the end.

The critic describes the film as a charming, popular romantic comedy of its time that addressed the wartime housing shortage in Washington D.C. through a story of cramped apartment-sharing and matchmaking. They highlight its balance of warmth and screwball comedy, sparkling dialogue, precise timing, and strong performances from the cast, particularly Jean Arthur, Joel McCrea, and Charles Coburn.