With only 5 reviews in so far, the consensus is firmly positive. Praise centres on Holly Hunter’s expressive performance, Campion’s handling of desire and repression, and the force of the visual storytelling. Michael Nyman’s score also draws particular admiration, while the romance earns credit for retaining its harshness rather than softening obsession into sentiment. There is little outright dissent or substantive criticism in these accounts. Differences are chiefly matters of emphasis: some critics concentrate on womanhood and agency under patriarchy, while others respond most strongly to the sensuality, Gothic atmosphere and unusual treatment of courtship.
The critic highlights the film's acute examination of womanhood, agency, and struggle under patriarchy as what elevates it to greatness. They single out the tender, remarkable drama, Hunter's expressive performance, and Nyman's soaring score for particular praise in this re-release.
Read the full review →