
Most critics are firmly behind Jane Campion’s western: twenty-three of the twenty-five reviews are positive, and many treat it as a return to form. The praise gathers around Benedict Cumberbatch as Phil, the embittered rancher, whom critics find menacing and vulnerable in the same breath, with several rating it among his strongest work. Campion’s slow control of tension, Ari Wegner’s stark Montana landscapes and Kodi Smit-McPhee’s Peter are the other elements singled out.
The reservations are modest and scattered. Total Film finds it meanders, Consequence finds the sustained mood of inevitability oppressive, and The Skinny misses the emotional specificity of Campion’s earlier films. Two reviews go further: Variety judges it impeccably made but programmatic, lacking the poetry of The Piano, while Film Comment finds it literary and borrowed rather than personal, with Cumberbatch edging towards caricature. Both came out of the festival run, and nothing since has followed them; the spread is otherwise narrow.
R
Radio Times
★★★★★ · Ann Lee
100
Campion makes a triumphant return with a ferocious western about toxic masculinity. Cumberbatch delivers a menacing yet vulnerable performance in an unbearably tense masterpiece.
Read the full review →T
The Times
19 November 2021 · ★★★★★ · Kevin Maher
100
The critic declares an indecently powerful western that is a triumphant, multifaceted return for Campion and a guaranteed awards frontrunner. They single out Cumberbatch’s mesmerizing and utterly convincing performance as the embittered rancher Phil.
Read the full review →T
Time Out
28 January 2022 · ★★★★★ · Olly Richards
100
Campion returns with one of the best films of her career, a triumph of quiet mystery and devastating storytelling in a patriarchal world. The landscape and character revelations reward repeat viewings.
Read the full review →I
IndieWire
2 September 2021 · A · David Ehrlich
95
The critic calls it a wickedly great, masterfully tense Western drama and a brilliant murderous fable about masculine strength. Singles out Cumberbatch's career-best performance as equal parts menacing and vulnerable.
Read the full review →L
Los Angeles Times
16 November 2021 · Justin Chang
90*
Campion reasserts her mastery with a brilliantly acted, insidiously gripping adaptation that reveals a new side of Cumberbatch in a masterful performance. The film excels in its psychological depth, attention to detail, and subversion of western conventions.
Read the full review →G
The Guardian
17 November 2021 · Peter Bradshaw
90*
The critic calls Campion’s film a superb gothic western that is mysterious and menacing, one of the director’s best, made with artistry and command. They single out the queasy touches and the way the story hangs with an air of tragedy, dysfunction and horror, like Ibsen.
Read the full review →H
The Hollywood Reporter
2 September 2021 · festival review · David Rooney
90*
The critic praises Campion's return with a psychologically complex Western shifting to themes of corrosive masculinity and repressed sexuality. Highlights transfixing performances, especially from Cumberbatch and Smit-McPhee, on an epic canvas.
Read the full review →N
The New York Times
30 November 2021 · Critic’s Pick
90*
Campion delivers a staggering take on the western in which a cruel cowboy meets his surprising match. The film explores the inner worlds and tensions among its characters with precision and depth.
Read the full review →T
The Telegraph
10 January 2022
90*
The review highlights a blistering, career-best performance from Benedict Cumberbatch as the mercurial fiend Phil in Campion’s dark psychological western. It praises the stark and deadly beauty of the landscapes and the constant sense of prickling intrigue.
Read the full review →V
Vulture
2 September 2021 · festival review · Bilge Ebiri
90*
The critic hails Campion's triumphant return with a majestic and unnerving Western set in 1925 Montana. Praises the understated storytelling and Cumberbatch's nuanced portrayal of a complex, need-driven character.
Read the full review →E
Empire
19 November 2021 · Beth Webb
85*
Campion returns with a sensual, layered Western that peels back repression and desire in 1920s Montana. The film is praised for its wounded central character study and striking visuals from Ari Wegner.
Read the full review →L
Little White Lies
2 September 2021 · festival review · Sophie Monks Kaufman
80*
Campion explodes ideas of masculinity in this adaptation, with strong performances and atmospheric tension building to a gripping third act. The film is ambitious and brilliant despite minor flaws in one lead performance.
Read the full review →T
Total Film
1 December 2021
75*
Jane Campion’s most elegant film in years is a brooding ranch drama with hidden depths. It singles out Benedict Cumberbatch’s shrewd, central performance for praise while noting some meandering tendencies.
Read the full review →S
Screen Daily
2 September 2021 · festival review
70*
A powerful turn from Cumberbatch anchors this prairie-set period drama that is Campion’s most thoroughly conceived and consistently involving work for years. The adaptation captures dysfunctional family dynamics and repressed desires with nuance.
Read the full review →S
Sight and Sound
17 November 2021
70*
Campion delivers a gripping psychodrama that draws out the instability of American West myths through a ranch family feud. The film excels in its slow-burn exploration of repressed masculinity and power dynamics.
Read the full review →N
The New Yorker
17 November 2021 · Anthony Lane
70*
Campion’s anti-western is a claustrophobic chamber piece focused on family cruelties and miseries rather than epic scope. The central standoff between characters is tense and compelling, though some performances feel less convincing in the setting.
Read the full review →V
Variety
2 September 2021 · festival review · Owen Gleiberman
50*
Campion’s psychodramatic western is impeccably crafted with stately precision and strong performances but feels overly programmatic and lacks the passionate, populist poetry of her earlier work like The Piano. The message denouncing homophobia is clear but not revelatory enough.
Read the full review →F
Film Comment
8 October 2021 · festival review · Molly Haskell
40*
Campion's latest lacks the richly personal feminism of her early films and feels borrowed and literary rather than organic. The ominous atmosphere and Cumberbatch's menacing performance verge on caricature, though the fable-like treatment of unspoken desires has some merit.
Read the full review →H
HeyUGuys
11 October 2021 · ★★★★★ · Sarah Cook
100
The critic praises Campion's direction and the performances, especially Cumberbatch's as Phil and Smit-McPhee's as Peter, noting the film's exploration of toxic masculinity and its visual impact. Verdict is highly positive, calling it an essential film and Campion on top form.
Read the full review →/
/Film
11 September 2021 · 9/10 · Chris Evangelista
90
The critic highlights Campion's masterful direction of a subtle, menacing neo-Western, with Cumberbatch delivering a career-best performance as the cruel Phil, and the film's tension-building through details and imagery leading to a powerful conclusion.
Read the full review →P
Polygon
1 December 2021 · Robert Daniels
90*
The critic calls it 2021's best movie so far, an immense portrait of psychological torture and toxic masculinity with awe-inspiring cinematography and complex performances, especially Cumberbatch's. It highlights the film's meditative quality, unexpected emotional depths, and rewarding rewatch value.
Read the full review →D
Digital Spy
1 December 2021 · Gabriella Geisinger
85*
The film is a Trojan horse that appears to be a Western but is actually a Gothic psychodrama filled with psychological warfare and unsettling tension. Campion delivers a startling, deeply moving work with Cumberbatch terrifying as the domineering Phil.
Read the full review →C
Consequence
1 October 2021 · B+
83
The critic praises Benedict Cumberbatch's superlative performance as the petulant, macho Phil and the film's elegant, unnerving accomplishment as a slow-burn Western about toxic masculinity and power dynamics. It notes the strong ensemble acting but finds the sustained mood of inevitability slightly oppressive at times.
Read the full review →S
The Skinny
3 September 2021 · ★★★★ · Anahit Behrooz
80
A meticulously engineered exercise in tension and a haunting study of male violence and repression, with forensic storytelling and a chilling Cumberbatch performance that eviscerates the illusion of control. It lacks some emotional depth and gutting specificity of Campion's prior works.
Read the full review →D
Deadline
2 September 2021 · festival review · Todd McCarthy
70*
Campion has made a complex and probing adaptation of Thomas Savage’s novel about two very different Montana rancher brothers caught in a twisted emotional bind. It is a serious, ambitious, living and breathing work that sticks in the mind and makes one want to examine it from different angles.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate