Critics’ reviews

The Silence of the Lambs (1991)

10 reviews from 10 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.

Back to our review of The Silence of the Lambs

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Positive
4
Mixed
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Radio Times
★★★★★ · John Ferguson
100

Hopkins and Foster deliver Oscar-winning performances in a suspenseful hunt for Buffalo Bill, with Demme generating real chill through mind games between the leads amid gothic gloom. Supporting players add to the memorable impact of this adaptation.

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Empire
1 January 2000 · Barry McIlheney
90*

Demme's film is a triumph thanks to its narrative strength and confidence in tackling the source material's complex characters. Hopkins and Foster deliver unforgettable performances that elevate the thriller.

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Los Angeles Times
13 February 1991 · Sheila Benson
85*

Demme delivers a stunning vision of the material that concentrates on the hypnotic duel between the FBI trainee and the brilliant sociopath rather than cheap thrills. They single out Anthony Hopkins' insinuating performance as a standout.

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Variety
31 December 1990 · Variety Staff
80*

The skillful adaptation intelligently explores aberrant psychology and perverse evil with a tight plot. They single out the strong performances, especially Anthony Hopkins as the personification of brilliant, hypnotic evil.

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Film Comment
1 January 1991 · Kathleen Murphy

The review discusses Jonathan Demme's film in the context of its release, highlighting its breakthrough status and the director's handling of the material.

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Sight and Sound
6 November 2017 · Lizzie Francke

Demme and Tally have produced a sombre masterpiece from Harris's novel, focusing on Clarice Starling's emotional journey through a traumatic landscape of male gazes and repression. The film implicates the audience in its chilling exploration of desire and identity in a decaying culture.

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The Guardian
1 November 2017 · Peter Bradshaw

Jonathan Demme’s thrilling masterpiece holds up terrifically well after 26 years. The critic singles out Anthony Hopkins’ performance as Lecter as an uproarious technical masterpiece, with high-impact closeups creating climactic confrontations.

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The Hollywood Reporter
14 February 1991 · Duane Byrge

The film is a spellbinding psychological thriller in the Hitchcock vein, likely to succeed at the box office. It excels in the tense exchanges between Clarice and Lecter, with standout performances from Hopkins and Foster under Demme's direction.

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The New York Times
14 February 1991 · Critic’s Pick · Vincent Canby

The critic praises Demme's swift, witty suspense thriller and its focus on the mind games and macabre elements just off screen. They single out the intelligent handling of the central duel between Clarice Starling and Hannibal Lecter.

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Time Out
10 September 2012 · GA

The confrontations between Clarice and Lecter bring the film electrically alive, with Demme refraining from voyeurism while revealing the results of violence. Foster evokes a vulnerable but pragmatic intelligence, and the film satisfies as much as Manhunter.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate