Critics’ reviews

The Wizard of Oz (1939)

12 reviews from 12 publications. Critics’ score 77: 9 positive, 0 mixed, 1 negative.

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77
Positive
9
Mixed
0
Negative
1

Most critics respond warmly to The Wizard of Oz, with praise gathering around Judy Garland’s emotional performance, the tuneful score and the elaborate sets, costumes and make-up. The reviews repeatedly credit its appeal to the way it takes childhood delight and fear seriously, while giving adults something to recognise in its feelings about home and growing up. Its strangeness and visual invention remain central to that appeal.

Reservations range from dated effects to questions about pace and audience. Digital Spy finds the story less engaging as it progresses and the Munchkin numbers tiresome for adults; Sight and Sound considers the humour and outlook more suited to adults than children. The spread is wide chiefly because of one forceful dissent: The New Yorker rejects the dialogue, gags and Technicolor as clumsy and garish, finding little of the imagination that most critics celebrate.

Time Out
12 December 2006 · ★★★★★ · Trevor Johnston
100

The critic calls it a masterpiece of storytelling that taps into primal emotions about home, abandonment and growing up. They single out Judy Garland's performance and the score for making it timelessly affecting for adults as well as children.

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Empire
1 January 2000 · Alan Morrison
90*

The critic calls the film spellbinding and a dazzling musical adaptation that captures childish delights and fears with grace and imagination. They single out the hummable tunes, spectacular set design, and Judy Garland's emotional performance as Over the Rainbow for particular praise.

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Radio Times
· Calum Baker
90*

The review hails it as a groundbreaking Technicolor musical fantasy that set new standards, with Judy Garland's charming performance and iconic imagery like the ruby slippers and Wicked Witch standing out. It emphasises its lasting influence and popularity.

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Evening Standard
10 April 2012
85*

The piece describes the 1939 classic as still wonderful despite some creaking now, with ageless appeal as a children's film that adults also love. It highlights the troubled production history but concludes the film's charm remains unsurpassed.

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Little White Lies
12 September 2014 · 4/4/4 · Trevor Johnston
80

The review highlights the enduring iconic status and charm of the Technicolor musical fantasy despite its age and some dated elements. It singles out the witty script and visual spectacle for praise in a re-release context.

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Total Film
15 November 2006
80*

The review praises the digitally remastered reissue as representing old-school MGM filmmaking at its best, with stunning sets, make-up, costumes and music. It notes the familiarity from repeated viewings but affirms its enduring appeal despite aged effects.

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Slant Magazine
24 October 2005 · Eric Henderson
70*

The review notes that the film defies easy criticism and is a barmy but culturally resonant super-production. It singles out its reversal of dream/reality color schemes, matriarchal themes, and exploration of home and personal sovereignty for discussion.

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The New Yorker
12 August 1939 · Russell Maloney
10*

The critic pans the film as lacking imagination, good taste, or ingenuity, citing awkward dialogue and garish Technicolor as examples of its vulgarity. He singles out the poor use of color and gags for complaint.

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Sight and Sound
1 January 1940 · E.P.

The critic praises the film's magnificent production values, Technicolor, tuneful songs and strong acting, especially Judy Garland as Dorothy. However, they note that its sophisticated outlook and mature humour make it appeal more to adults than children.

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The Hollywood Reporter
25 August 2021 · THR Staff

The review hails the film as a milestone in motion picture history that combines artistry with broad audience appeal and is headed for spectacular success. It singles out the superb cast, inventive production, direction, and musical elements for particular praise.

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Eye for Film
11 December 2006 · Scott Macdonald
95*

The critic calls The Wizard of Oz one of the greatest films ever made and an enduring American classic whose charm and storytelling have not diminished. They single out the joyful performances, integrated music, and the film's unfettered belief in itself for particular praise.

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Digital Spy
7 September 2014 · Matt Glasby
75*

The critic views Victor Fleming's 1939 classic as a beguiling film whose strangeness, camp qualities, and committed world-building have ensured its enduring popularity, despite a story that decreases in interest as it progresses. The expressive performances, innovative sets, and subversive undertones are singled out for praise, while the lengthy Munchkin musical numbers are noted as tiresome for adult viewers.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate