Most critics respond warmly to The Wizard of Oz, with praise gathering around Judy Garland’s emotional performance, the tuneful score and the elaborate sets, costumes and make-up. The reviews repeatedly credit its appeal to the way it takes childhood delight and fear seriously, while giving adults something to recognise in its feelings about home and growing up. Its strangeness and visual invention remain central to that appeal.
Reservations range from dated effects to questions about pace and audience. Digital Spy finds the story less engaging as it progresses and the Munchkin numbers tiresome for adults; Sight and Sound considers the humour and outlook more suited to adults than children. The spread is wide chiefly because of one forceful dissent: The New Yorker rejects the dialogue, gags and Technicolor as clumsy and garish, finding little of the imagination that most critics celebrate.
