Critics’ reviews

The Wrestler (2008)

18 reviews from 18 publications. Critics’ score 84: 12 positive, 0 mixed, 0 negative.

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84
Positive
12
Mixed
0
Negative
0

Most critics respond warmly to The Wrestler, with praise centred on Mickey Rourke’s vulnerable, physically worn performance. The reviews repeatedly find tenderness, charm and regret in his portrayal, crediting him with making a familiar story affecting. Darren Aronofsky’s unfussy, naturalistic direction also draws broad approval. Critics value the wrestling scenes for showing the profession’s bodily cost, and many find that the film earns its emotion without asking for pity.

The reservations concern the conventional plot and the point at which naturalism gives way to melodrama. The Independent finds the scenes involving the wrestler’s daughter uneven, while other reviews differ over how successfully the film avoids sentimentality. The spread is largely between warm approval and stronger enthusiasm, but the Los Angeles Times offers a clear dissent: it admires Rourke while finding the story contrived, predictable and emotionally coercive. Even that negative assessment preserves the broad agreement about the central performance.

Slant Magazine
3 October 2008 · ★★★★/4 · Nick Schager
100

Highlights Rourke's raw, soulful performance and Aronofsky's focus on the physical and emotional toll of wrestling, evoking a sober humanism amid familiar narrative elements.

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The Guardian
16 January 2009 · Peter Bradshaw
90*

The critic praises the heartfelt drama and Mickey Rourke's terrific, vulnerable performance as the washed-up wrestler, noting how it avoids sentimentality. Aronofsky is commended for directing a gripping film that redeems his previous work.

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Empire
12 October 2007 · festival review · Dan Jolin
85*

The critic lauds Aronofsky's shift to a powerful, affecting drama and Rourke's career-best performance as emotionally raw and likable, with effective parallels to boxing films and strong direction that avoids mawkishness.

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The AV Club
17 December 2008 · B+ · Noel Murray
83

Praises Rourke's fitting performance and Aronofsky's direction for capturing the gritty world, but notes predictability in the plot. The film effectively portrays the toll of the profession.

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Little White Lies
15 January 2009 · 5/4/4 · Matt Bochenski
80

The critic praises the film's gritty return to indie roots and Mickey Rourke's authentic, ego-free performance as the battered wrestler Randy 'The Ram' Robinson. They single out the unflinching wrestling scenes and Rourke's expressive face and eyes for conveying a life of pain and regret without sentimentality.

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Screen Daily
5 September 2008 · festival review
80*

The critic describes a deceptively conventional storyline with edge, humour and a performance Mickey Rourke was born for, positioning the film as an awards contender and audience-pleaser. They single out Rourke's perfect match to the role of the washed-up wrestler and the circus-like bouts as key strengths.

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The Independent
18 January 2009 · Geoffrey Macnab
80*

The critic praises Mickey Rourke's tender, self-revealing performance as a magnificent comeback and the film's insightful, affecting realism about physical decline and demystification of wrestling. Some unevenness is noted in the daughter scenes.

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Time Out
13 January 2009 · ★★★★ · Tom Huddleston
80

The review notes that Aronofsky directs with unfussy candour and steps back to let Rourke deliver a committed, sympathetic portrait of a humble man facing the consequences of bad decisions. They single out the strong craftsmanship and emotional investment that elevate the familiar narrative.

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Total Film
· Tom Charity
80*

The review celebrates Rourke as perfect for the role in this beautiful, bittersweet naturalistic film, noting his charm and lifetime performance amid themes of self-defeat and the American Dream's underside.

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Evening Standard
75*

The review highlights Rourke's authentic, top-rate performance drawing from his own life, calling the film an excellent B-movie with documentary-style shooting by Aronofsky. It notes some over-sentimentality but overall praises the raw, gripping portrayal.

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Los Angeles Times
17 December 2008 · Kenneth Turan

The picture is off-putting and disappointing despite Rourke’s affecting performance, as the tale feels hopelessly contrived, predictable, and schematic with a determination to bludgeon the audience into correct emotional thinking. It remains real work in an essentially fake film.

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The Hollywood Reporter
3 September 2008 · festival review · Stephen Farber

The critic praises Mickey Rourke's career-best performance and the film's authentic depiction of the wrestling world, though notes it oscillates between naturalism and melodrama.

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The New Yorker
8 December 2008 · Anthony Lane

Rourke delivers a rounded, raddled portrait of a good man in the role of the aging wrestler Randy the Ram, bringing charm, anxious modesty, and other virtues without stooping to beg for pity. The film trades in violence cleansed of ill will and offers brutal but honest scenes of the wrestling world.

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The New York Times
17 December 2008 · A.O. Scott

The film cannily exploits the parallel between professional wrestling and movies while showing that the line between reality and play-acting may be less clear than assumed. It makes a convincing show of brute realism in its depiction of New Jersey locales and the hero's weariness, though the story is a familiar, somewhat saccharine parable of second chances.

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Variety
14 November 2008 · Peter Debruge

Rourke rewards Aronofsky's casting gamble with one of those exceptional, born-to-play roles, owning every scene and baring his soul in private moments while creating a galvanizing, humorous, deeply moving portrait. Director Aronofsky surprises with a naturalistic style that strips away previous arty mannerisms for clarity and simplicity.

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Digital Spy
13 January 2009 · Ben Rawson-Jones
90*

The critic hails it as a magnificent masterpiece, highlighting Rourke's stunning, authentic performance as an aging wrestler grappling with personal failures.

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/Film
8 September 2008 · 9/10 · Peter Sciretta
90

The critic calls the film heartbreaking and beautiful, praising its authentic depiction of the professional wrestling world. They single out Mickey Rourke's performance as worthy of the Oscar buzz and note the detailed screenplay and direction.

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Den of Geek
2 June 2009 · 4 out of 5 · Simon Brew

The critic praises Mickey Rourke's tour-de-force performance as the standout element in this gritty, accessible Aronofsky film about an aging wrestler, despite its conventional story.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate