Critics’ reviews

This Is Spinal Tap (1984)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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5 of 6
Positive
5
Mixed
0
Negative
0
Radio Times
★★★★★ · Alan Jones
100

The critic describes it as a brilliantly crafted and completely on-target satire of the rock industry filmed in mock-documentary style. The Stonehenge production number and crass song lyrics are highlighted as standout elements.

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Time Out
20 September 2024 · ★★★★★ · Tom Huddleston
100

The review calls the film comedy gold and entirely unimprovable, noting its status as the best comedy movie of all time in a Time Out poll. It singles out the largely improvised dialogue and the band’s original songs for praise.

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The Guardian
21 August 2025
90*

The critic praises the film as a groundbreaking and still-joyful classic mockumentary whose gags and improvisational style have aged brilliantly. They single out its shrewd satire of rock masculinity and the music business for particular praise.

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Variety
31 December 1983 · Variety Staff
80*

The film is a vastly amusing satire of heavy metal bands for music biz insiders. Reiner and cowriters have fun creating mock footage and filling the fringes with hilariously authentic music-biz types.

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Sight and Sound
· Kim Newman

The critic finds the mockumentary consistently convincing and generally hilarious, praising the American cast’s precise handling of British accents, slang and pub-musician mannerisms. The group’s squabbles and managers’ arguments are singled out as especially well done.

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The New York Times
2 March 1984 · Critic’s Pick · Janet Maslin

The critic finds the mockumentary a witty, mischievous satire and labor of love that is affectionate rather than mean-spirited. It stays so close to its subject that it is nearly indistinguishable from the real thing.

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Eye for Film
6 December 2008 · Jennie Kermode
95*

The critic calls it a masterpiece of observational comedy that stands out for its deep affection for heavy metal and its subjects. She highlights the endearing band characters, quotable lines, clever editing, and rewatch value.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate