Critics’ reviews

Touching the Void (2003)

12 reviews from 12 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.

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Positive
4
Mixed
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Negative
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The Guardian
14 December 2003 · Philip French
90*

The critic praises the film's understated approach to the mountaineering survival story, highlighting its physicality and beauty in depicting the climbers' ordeal. It singles out the combination of reconstruction and interviews for creating a visceral, existential experience.

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Sight and Sound
· Richard Falcon
85*

Macdonald's gripping documentary recreates the climbers' extraordinary survival tale with dramatic reconstructions and interviews, proving as powerful as his earlier work. The film excels through its focused, clutter-free style and authentic spectacle that captures the immediacy of the near-incredible story.

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Empire
· Ed Halliwell
80*

The docudrama blends survivor interviews with reconstructions to explore ethics, psychology and human endurance on the mountain. It builds from a slow start into a gripping account of physical and mental disintegration.

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Los Angeles Times
6 February 2004 · Kenneth Turan

The quasi-documentary succeeds in making the impossible seem real through a nervy hybrid approach using both actors and the real climbers. Director Kevin Macdonald's veteran documentary skills help recreate the legendary Andes climb in a way that feels authentic and compelling.

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Screen Daily
12 September 2003 · festival review

An extraordinary survival story becomes an exceptional documentary that is as dramatic as fiction but with greater emotional charge. Macdonald focuses tightly on the mountain events with authentic, nailbiting reconstructions filmed on location that convey vivid desperation and claustrophobia.

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Slant Magazine
8 January 2004 · Ed Gonzalez

Macdonald intercuts interviews with impressive simulations that preserve documentary illusion, and his location photography of the mountain is outstanding. The director seems uninterested in the public fallout of the events, focusing instead on existentialism.

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The AV Club
20 January 2004 · Scott Tobias

Macdonald's documentary skillfully recreates the climbers' near-constant brush with death through ingenuity and luck. The film's appeal lies in its fundamental grip as one of those stories that catches the breath, no matter how often told.

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The New Yorker
12 January 2004 · Anthony Lane

The film grippingly recounts the climbers' harrowing ordeal with impressive on-location camerawork and suspense despite the known outcome. It explores survival, moral choices, and the void in a sober, matter-of-fact style that contrasts with the extremity of the events.

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The New York Times
23 January 2004 · Dave Kehr

The critic calls the semidocumentary disappointing for treating the climb less as a spiritual quest than a psychological encounter session. It reconstructs the 1985 Andes expedition with staged sequences but fails to deliver on notions of purification and transcendence.

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Time Out
10 September 2012 · WH

Macdonald's absorbing adaptation of the bestseller recounts the desperate Andean climb and survival, fascinating climbing enthusiasts while offering broader meditations on human endeavour and facing death. Visually and aurally striking, it resembles a nature documentary at times with the mountain as antagonist.

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Variety
4 September 2003 · festival review · Todd McCarthy

Oscar-winning documentarian Kevin Macdonald adroitly blends first-person accounts with tense, you-are-there reenactments of the 1985 Andes ascent. The potent result captures the awesome and harrowing aspects of physical ambition and survival through strong camerawork, editing, and music.

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Eye for Film
11 December 2003 · Angus Wolfe Murray
90*

The film is a spectacular achievement that captures an incredible true story of courage and determination through a mix of talking-head interviews and dramatized reconstruction. The reviewer singles out the authenticity and quality of the climbing sequences as among the best and most convincing ever filmed.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate