Critics’ reviews

Train to Busan (2016)

14 reviews from 14 publications. Critics’ score 73: 11 positive, 2 mixed, 1 negative.

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73
Positive
11
Mixed
2
Negative
1

Most critics welcome Train to Busan as an energetic zombie thriller whose confined setting gives the action focus and urgency. Praise clusters around the close-quarters set pieces, the fast-spreading infection and the clear staging of survival sequences through the train. The reviews also frequently credit its humanity: the father-daughter relationship and characters worth caring about give the mayhem emotional weight, while class divisions provide more to consider than who gets bitten next.

The spread is fairly wide, though firmly weighted towards approval, with social commentary the main point of disagreement. What many find sharp or effective, others consider obvious, softened for mainstream appeal or dependent on contrivance; there are also reservations about length. Slant Magazine admires the inventive frights but finds the family and capitalist messaging heavy-handed and conservative. The Playlist dissents more broadly, finding familiar genre devices, a thin plot and little of the heart that most critics praise.

Empire
24 October 2016 · Helen O'Hara
90*

The critic praises the film's propulsive action, innovative zombie design and set pieces, and emotional family focus as making it one of the best horrors of the year.

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The Guardian
27 October 2016
90*

Yeon Sang-ho’s live-action debut delivers on its delicious premise of zombies on a train. The film stages thumping close-quarters action while managing deft, affecting manoeuvres with characters from a cross-section of Korean society.

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The New York Times
21 July 2016 · Jeannette Catsoulis
85*

The critic praises the film's energetic zombie action and class warfare critique on a bullet train, highlighting the spastic, break-dancing-like zombies and the director's gleeful dive into social commentary.

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Little White Lies
27 October 2016 · 3/4/4 · Mike Tsenti
80

The critic finds the film an entertaining and heartfelt zombie thriller with strong character arcs. It singles out the class commentary and the effective, fast-spreading zombie mechanics for praise.

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The Telegraph
28 October 2016 · ★★★★
80

The film is almost everything you could want a zombie movie to be, with characters you care about, social commentary, and lashings of bloody mayhem. Its greatest strength is its surprising humanity amid the chaos.

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Variety
13 May 2016 · festival review · Maggie Lee
75*

The critic highlights the film's relentless momentum as a zombie allegory of class rebellion and moral polarization, noting its unpretentious fun alongside a watered-down nihilistic vision for mainstream appeal.

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Screen Daily
14 May 2016 · festival review
70*

The critic describes it as an entertaining ride with solid genre thrills and political commentary on class and government response. It singles out the confined train setting and zombie survival sequences as working best.

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The Hollywood Reporter
15 May 2016 · festival review · Leslie Felperin
70*

Yeon Sang-ho's first live-action feature is a solid zombies-on-a-train horror thriller that blends gore, paranoia and low-key social critique. It excels at spatial clarity and set-piece staging but feels like a step toward the mainstream compared to the director's earlier work.

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The Times
28 October 2016 · ★★★☆☆ · Kate Muir
70*

Fans of the undead horror genre will savour this fresh bite from South Korea. It is a smart horror that contrasts the hyper-cleanliness and efficiency of South Korean life with bloody, neck-biting chaos, though the journey may be a tad too long for normal passengers.

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Time Out
24 October 2016 · ★★★ · Joshua Rothkopf
60

The critic calls it an enjoyably brutal and thrilling zombie movie that delivers strong action sequences. It singles out the obvious social messaging and contrivances as weaker elements.

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Slant Magazine
17 July 2016 · #### · Ed Gonzalez
50*

The film earns praise for its distinctive, jump-scare-free zombie mechanics and taut set pieces that blend horror and disaster tropes. However, its heavy-handed conservative messaging about family and capitalism undercuts the otherwise inventive frights.

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Eye for Film
13 September 2016 · Owen Van Spall
80*

The critic highlights the film's relentless pace and clever use of the train setting to build tension, along with its mix of action, social commentary on class divides, and strong emotional core in the father-daughter relationship.

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HeyUGuys
29 October 2016 · ★★★★ · Luke Channell
80

The critic praises the film's kinetic energy and unique premise of zombies on a high-speed train, noting its blistering momentum, emotional character moments, and effective blend of action, humor, and social commentary.

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The Playlist
22 July 2016 · festival review · Kevin Jagernauth
40*

The critic finds the film lacks thematic depth and visceral impact compared to similar works, criticizing its reliance on genre tropes, thin plot, and absence of heart or fresh insight into humanity amid crisis.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate