Critics’ reviews

Uncut Gems (2019)

24 reviews from 24 publications. Critics’ score 83: 13 positive, 2 mixed, 0 negative.

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83
Positive
13
Mixed
2
Negative
0

Most critics strongly favour Uncut Gems, with praise centred on Adam Sandler’s performance as a compulsive gambler and jewellery dealer. The reviews repeatedly credit him with making the character’s desperation, anger and self-destructive behaviour compelling, while finding humour and vulnerability beneath the bluster. The Safdies’ tense direction also draws broad approval, with claustrophobic camerawork, immersive sound and a forceful score helping to convey the thrill and delusion of addiction.

The disagreement is chiefly about how much sustained pressure the film can bear before it becomes exhausting. Variety finds the experience singular but divisive, while Collider offers a sharper dissent, finding little reason to care about the shouting, self-destructive characters despite Sandler’s comic energy. The i Paper’s complaint that the filmmaking sometimes becomes too flashy is a milder reservation. The spread runs from enthusiastic praise to frustrated resistance, though even the sceptical reviews find value in Sandler’s performance.

Little White Lies
16 December 2019 · 5/5/5 · Hannah Strong
100

Sandler delivers a dazzling, hypnotic turn as the fatalistic jeweler at the heart of this precision-engineered anxiety attack of a film. The Safdies craft a stylish, sad, funny and bleak masterpiece of technical finesse and unrelenting creativity.

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Time Out
20 July 2019 · ★★★★★ · Joshua Rothkopf
100

The Safdies deliver an electrifying, abrasive triumph that develops genuine affection for its schemers. Sandler gives a never-better, magically right performance in a high-stakes, autobiographical-feeling portrait of manic urban survival and Jewish New York life.

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The Guardian
9 January 2020 · Peter Bradshaw
90*

The critic praises this as the year's most exciting film, a sensationally good high-energy thriller with a glorious career-best performance from Adam Sandler as a fast-talking, gambling-addicted diamond dealer. The Safdie brothers create gripping black-comic chaos with pure energy and grungy voltage.

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Vulture
13 December 2019
90*

The Safdies deliver their most manic film, giving Sandler the ultimate role that fuses anger, need, and self-destructiveness. It is an awesome, freaky, hell of a marathon that is not easy but rewarding, with standout support from the cast and cinematography.

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Los Angeles Times
11 December 2019 · Justin Chang
85*

Chang calls it an invigorating, maddening movie with Sandler giving the performance of his career in a razor-sharp drama directed with relentless tension by the Safdies.

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Radio Times
★★★★ · Jeremy Aspinall
80

Sandler is a revelation as the incorrigible motormouth jeweler in this breathless thrill-ride of a gambling addiction and collapsing house of cards. The Safdies evoke 1970s classics with claustrophobic visuals, an incisive electro score and a nerve-jangling climax.

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RogerEbert.com
26 December 2019 · Sheila O'Malley
80*

The critic praises the film's immersion in the protagonist's addictive, chaotic world and Sandler's performance as a gambling addict jeweler, highlighting how it captures the thrill and delusion of addiction without being a cautionary tale.

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The i Paper
10 January 2020 · ★★★★ · Saskia Baron
80

Hails the edge-of-the-seat filmmaking with dazzling camerawork and an immersive soundtrack. Singles out Sandler's career-changing performance as a compulsive gambler and jewellery dealer, while noting it is too flashy at times but still one wild ride.

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The New Yorker
6 December 2019 · Richard Brody
75*

Brody lauds Sandler's frantic performance and the Safdies' audacious blend of genres in a recklessly accomplished film that is exhilarating and awe-inspiring.

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Variety
1 September 2019 · festival review · Peter Debruge
60*

Debruge describes it as a delirious, high-intensity character study with Sandler's most unhinged performance, a singular but exhausting and divisive experience.

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Empire
6 January 2020 · Nick de Semlyen

Praises the Safdie brothers' film as a mesmerizing thriller that captures its world vividly with a snaky plot for maximum tension. Singles out Adam Sandler's layered, career-best performance as a major reason it works.

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Evening Standard
10 January 2020 · Charlotte O'Sullivan

Calls the film a ferociously involving New York thriller with a sexy-scuzzy, seriously good performance from Sandler. Notes some shortcomings in supporting roles and a generic, sentimental ending, concluding it is over-valued but not by much.

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IndieWire
31 August 2019 · festival review · Eric Kohn

Sandler delivers his most contemptible character in a 30-year career in the Safdies' abrasive, deranged follow-up to Good Time. The film is a riveting high-wire act and hypnotic blast that pairs cosmic visuals with gritty thriller energy.

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Screen Daily
10 September 2019 · festival review

The Safdies unite with Sandler for jittery, almost unbearably tense effect in a cracking, jangling panic attack of a movie. Sandler gives a career-highlight performance that transcends even Punch-Drunk Love, though the nervous tension over two hours is bracing yet exhausting.

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Sight and Sound
13 December 2019 · Trevor Johnston

The critic hails the Safdies' most polished yet chaotically energetic effort as a magnificent black comedy and signature achievement. Sandler's fast-talking hustler is compulsively watchable and perfectly cast in an immersive, unrelenting portrait of risk and delusion.

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The Hollywood Reporter
31 August 2019 · festival review · Todd McCarthy

The critic calls it a career high for Sandler and the Safdies in a sparkling comedy-drama about a compulsive gambler and risk-taker. Sandler's brash, obnoxious jeweler performance anchors the frantic, overwhelming but credible human story.

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Den of Geek
13 December 2019 · ★★★★★ · David Crow
100

The critic praises it as a masterpiece with a career-defining performance from Adam Sandler in a uniquely slick crime drama that is rascally, weird, and addictive. They single out Sandler's electric portrayal of the gambler Howard Ratner for praise.

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HeyUGuys
16 October 2019 · ★★★★★ · Luke Channell
100

The critic calls the film a masterclass in anxiety-inducing filmmaking with a relentlessly noisy sound design and pounding score that captures the protagonist's chaotic life. Sandler's multifaceted, career-best performance as the fast-talking jeweler is singled out as riveting and the key element making the character authentic and relatable.

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Digital Spy
31 January 2020 · Ian Sandwell
80*

The review finds it an exhausting yet compelling thriller with a career-best performance from Adam Sandler that keeps viewers hooked despite the stress. They praise the transformative acting but note it may not be for everyone due to its intensity and length.

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Polygon
13 December 2019 · Emily Heller
80*

The Safdies craft a feature-length panic attack full of overlapping calamities and tension that leaves viewers overwhelmed yet engaged. Sandler's best-career performance and the directors' claustrophobic style make Howard's self-destructive spiral compelling despite its exhausting nature.

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Collider
10 September 2019 · C- · Matt Goldberg
50

The film is an exhausting grind of self-destructive, yelling characters with little to root for. Sandler's energetic, comic performance as the lead is the main saving grace.

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Deadline
11 December 2019 · Pete Hammond

The critic lauds Sandler's intense, exhausting yet exhilarating performance as the ultimate high-wire act in a relentless, compelling film by the Safdie brothers that captures the essence of New York.

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NME
10 January 2020 · 5 · Alex Flood

The critic hails it as proof of the 'Re-Sandler-ssance' with Sandler never better in an anxiety-inducing heart-attack of a movie that is gripping throughout. They single out the tense direction and Sandler's versatile performance for praise.

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The Wrap
12 December 2019 · Steve Pond

The critic praises the Safdie brothers' chaotic storytelling and Sandler's convincing performance as a desperate hustler, highlighting the film's immersive, adrenalized atmosphere and strong ensemble.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate