Critics’ reviews

Vagabond (1985)

10 reviews from 10 publications. Critics’ score 82: 10 positive, 0 mixed, 0 negative.

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82
Positive
10
Mixed
0
Negative
0

The reviews are uniformly positive about Vagabond, with praise clustering around Sandrine Bonnaire’s performance and Varda’s account of a woman who remains difficult to know. Critics admire Bonnaire’s unsentimental portrayal of Mona and the fragmented testimonies through which her life is reconstructed. Most see the documentary-like approach as crucial: it gives Mona a concrete physical presence without explaining away her choices, romanticising her freedom or reducing her to a symbol.

The differences concern the strength of that praise rather than any clear disagreement about the film’s merits. The Guardian particularly admires the structure and central performance, while The New York Times stresses how gruelling Mona’s painfully real world can be. The Los Angeles Times finds exhilaration alongside the melancholy. There is no outright dissent among these ten reviews; the more measured responses still value the film’s capacity to leave viewers thinking about Mona’s contradictions.

Little White Lies
28 June 2018 · 5/5/5 · David Jenkins
100

The critic hails the film as Varda’s masterpiece and a welcome re-release chronicling a wanderer’s final days in search of freedom. They single out Sandrine Bonnaire’s transcendent performance as central to its exceptional beauty and nuanced storytelling.

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The Guardian
27 June 2018 · Peter Bradshaw
90*

The critic praises the film as one of Varda's greatest, a cool, enigmatic and gripping chronicle of a young woman's troubled life and death told through fragmented testimonies. It singles out the structural artistry and the unforgettable central performance by Sandrine Bonnaire as Mona for particular admiration.

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The New Yorker
12 May 1986 · Pauline Kael
90*

The critic describes the film as scrupulous and hardheaded about an eighteen-year-old drifter, praising Bonnaire's immaculate performance and Varda's purity and boldness of approach. It affirms the integrity in every frame and explains the awards it won.

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Film Comment
1 May 2018 · Imogen Sara Smith
85*

Varda's film is impossible to forget, capturing the traces left by its enigmatic, unsympathetic drifter protagonist Mona through the memories of those she encounters. It creates a portrait that is neither romantic nor judgmental, emphasizing her physical reality and impenetrable motives amid a rigorously composed, documentary-like structure.

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The AV Club
31 August 2015 · Nick Schager
85*

Varda blends fictional and non-fictional modes to reconstruct the life of drifter Mona through interviews with those who encountered her before her death. The film stands out for its refusal to turn her into an allegory or easy object of sympathy while capturing a universal sense of dislocation.

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Los Angeles Times
6 July 1986 · Sheila Benson
70*

The critic finds that Varda keeps the film from being a monumental downer, calling it haunting, melancholy and ultimately exhilarating. It singles out the opaque central character and the way the film leaves viewers turning over her contradictions.

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RogerEbert.com
1 August 1986 · Roger Ebert
70*

The critic praises the film's specific, unadorned story of a young woman who cannot truly be known despite encounters with many people. It highlights the power of its realistic approach in prompting later reflection on how little we know those whose lives briefly intersect ours.

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Slant Magazine
21 January 2008 · Andrew Chan
70*

Varda uses a multi-perspective structure to explore the enigmatic freedom and isolation of drifter Mona, confounding easy judgments about her choices and character. The film excels in its visual and thematic rigor, treating Mona as an individual rather than a symbol while probing questions of compassion and social norms.

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The New York Times
16 May 1986 · Caryn James
70*

The critic notes that Varda forces viewers to respond to externals and makes a triumph of rendering the difficult-to-like or understand Mona. It finds the film grueling yet effective in creating a painfully real world.

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Collider
23 March 2025 · Thomas Butt
90*

The critic praises Vagabond as a masterful exploration of a young woman's pursuit of freedom and independence, comparing it favorably to Into the Wild and highlighting Varda's insightful portrayal of human psychology and the female experience.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate