Most critics find Wall Street an absorbing, if unsubtle, morality tale, with praise concentrated on Michael Douglas’s Gordon Gekko. His charm, ruthlessness and persuasive delivery make the corporate raider compelling even in reviews that dislike the film around him. The energetic camerawork and immersion in financial language also earn approval, helping Oliver Stone capture the appeal of the wealth and excess he sets out to condemn.
The reviews divide over how effectively that condemnation works, with a wide spread between enthusiasm and outright dissatisfaction. RogerEbert.com sees a radical critique of a value system built around the deal; Time Out finds muddled moralising and a film seduced by the luxury it attacks. Reservations elsewhere cluster around blunt lessons, simplistic character development and melodrama. Even several favourable reviews suggest that Gekko makes greed more attractive than the case against it, leaving Douglas’s performance as the clearest point of agreement.
