Critics’ reviews

WALL·E (2008)

17 reviews from 17 publications. Critics’ score 88: 14 positive, 0 mixed, 0 negative.

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88
Positive
14
Mixed
0
Negative
0

The reviews are strongly positive, with praise clustering around WALL·E’s near-wordless opening, expressive character animation and visual wit. Most critics find the central robot an engaging lead, able to carry both comedy and romance with little dialogue. The detailed future setting also draws admiration, while several reviews welcome the ecological concerns and satire of consumerism. For most critics, the love story gives those ideas warmth without making them less pointed.

The differences concern how well the film sustains that opening promise, rather than whether it succeeds at all. Paste finds that the later action reduces some of the early promise, while Den of Geek acknowledges a more conventional second half but still finds it emotionally satisfying. The Guardian offers a distinct reservation: it admires the invention and imagery but questions the warmth and spontaneity others celebrate. The spread runs from enthusiastic approval to qualified admiration, with no outright rejection.

RogerEbert.com
26 June 2008 · ★★★★/4 · Roger Ebert
100

Pixar’s WALL-E succeeds as an enthralling animated film, a visual wonderment and a decent science-fiction story that works largely without spoken dialogue. It features enchanting storytelling with ideas and a wonderful look that draws the viewer in.

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Time Out
15 July 2008 · ★★★★★ · Dave Calhoun
100

The review calls it a daring, imaginative and angry portrait of the future, praising the sharp intelligence of the detail in the near-silent first half and the wonderfully imagined world overall.

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Empire
2 July 2008 · Olly Richards
90*

A triumphant and ambitious Pixar film of faultless grace and breathtaking sweep that stands among the studio's best. The critic singles out the genius character of WALL·E himself and the visual wit and charm of the storytelling.

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The Hollywood Reporter
25 June 2008 · Kirk Honeycutt
90*

The critic praises Pixar for topping itself again with a whimsical sci-fi fantasy about robots that captures the heart, soul, and romance of the best silent movies. The visual design of the two worlds and the use of footage from Hello, Dolly! to spark WALL-E’s romantic yearnings are singled out as especially brilliant.

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The New York Times
27 June 2008 · A.O. Scott
90*

The first 40 minutes are a cinematic poem of wit and beauty that gives a G-rated vision of potential extinction, while also delivering a sweet, simple love story and an earnest ecological parable.

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Los Angeles Times
27 June 2008 · Kenneth Turan
85*

Daring yet traditional, groundbreaking yet familiar, the film gains strength from embracing contradictions and manages to appeal broadly without insulting intelligence, full of wonder at life and animation's power.

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Radio Times
· Stella Papamichael
80*

The critic describes an enchanting animated tale with genuine heart, highlighting the haunting sense of isolation in the early scenes and classic moments like the zero-gravity dance.

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The Guardian
18 July 2008 · Peter Bradshaw
70*

The critic praises the film's rich invention, textured visuals and dystopian romance but finds it overly hermetic and questions whether it amounts to more than a brilliant aesthetic exercise lacking warmth and spontaneity.

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Evening Standard
11 April 2012 · ****

A masterpiece of futuristic animation and superbly witty, visually poetic family filmmaking that deserves acclaim and an Oscar. The critic singles out the appealing central character of WALL·E and the lyrical treatment of simple human moments like dancing or holding hands.

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Screen Daily
26 June 2008 · festival review

The review hails WALL·E as the most ambitious and visually breathtaking Pixar film to date, praising its thoughtfulness, imagination and the expressive lead robot character.

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Sight and Sound
· Andrew Osmond

The critic finds WALL·E exceptionally good and one of Pixar's best, ranking with Toy Story 2 and The Incredibles. They praise its fresh feel, lovable characters, crafted jokes and wonderful images.

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Den of Geek
8 July 2008 · ★★★★★ · Seb Patrick
100

The critic highlights the film's groundbreaking near-silent opening half as a triumph of visual storytelling and character animation centered on the endearing robot WALL-E, while noting a shift to more conventional narrative in the second half that still delivers emotional satisfaction and pushes animation boundaries.

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/Film
10 July 2008 · 10/10 · Hunter Stephenson
100

The critic hails WALL·E as arguably Pixar's best film and a cultural touchstone, praising the first act's wordless robot romance and sound design above all. They note the human characters slightly diminish the later sections but affirm the film's overall greatness and romantic heart.

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Collider
4 June 2008 · Steven Weintraub
90*

The review praises WALL-E as a magical, heartfelt Pixar achievement with minimal dialogue, stunning visuals, and a deeply empathetic robot protagonist whose romance feels profoundly human. It highlights the film's economy of storytelling and emotional depth as standout elements.

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Digital Spy
13 July 2008 · Simon Reynolds
90*

The critic praises WALL-E as Pixar's most ambitious and accomplished film yet for its experimental near-wordless storytelling, sharp satire on consumerism and technology, and heart-warming central love story between robots.

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Eye for Film
1 July 2008 · Anton Bitel
80*

The critic calls WALL·E critic-proof and a charming pastiche of the SF genre that appeals across ages with its romance, mayhem, cute robot and satire. They single out the rich details and nostalgic future vision for praise while noting the second half drags slightly once humans appear.

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Paste
27 June 2008 · Robert Davis
70*

The critic calls WALL-E a noble experiment and significant gamble for its near-wordless first half and fresh approach, singling out the poignant premise of a robot dreaming of Earth's lost natural world. It notes that the shift to action sequences later reduces some of its promise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate