Critics’ reviews

War Horse (2011)

17 reviews from 17 publications. Critics’ score 58: 8 positive, 4 mixed, 5 negative.

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58
Positive
8
Mixed
4
Negative
5
Empire
4 January 2012 · ★★★★ · Ian Freer
80

Spielberg delivers bold, exquisite family filmmaking in the grandest Hollywood tradition, channeling classic movie traditions with virtuoso direction and emotional sincerity. The film excels in its sweeping combat sequences and tender human moments amid the horse's journey, though it may not match his more complex works.

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Time Out
16 December 2011 · ★★★★ · Joshua Rothkopf
80

Spielberg's most potent and poetic work in years captures the power of wordless images in its epic tale of a boy and his horse amid WWI, evoking classic Hollywood simplicity despite some missing anchors.

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The Hollywood Reporter
15 December 2011 · Todd McCarthy
70*

The critic describes it as a grandly made, tear-jerking film for all audiences in the style of old Hollywood, praising its universal themes and Spielberg's cinematic skill in capturing the boy-and-horse story against a war backdrop. He notes that the film accentuates the story's one-dimensionality and sentimentality compared to the stage version.

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The New York Times
22 December 2011 · A.O. Scott
70*

The critic urges surrender to the film's sincere, old-fashioned emotional appeals and its tribute to honest storytelling traditions. The sweeping adaptation is praised for its cinematic craft and ability to move audiences despite potential cynicism.

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Total Film
22 December 2011 · James Mottram
70*

War Horse is a wholesome, nostalgic throwback that feels purpose-built for Spielberg's heart-plucking style, with enthralling battle scenes and old-fashioned appeal. It stumbles in pacing early on and with an overindulgent score, but delivers a picaresque tale of endurance that engages despite some actor limitations.

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Little White Lies
13 January 2012 · 4/3/3 · Adam Woodward
60

Spielberg delivers a hybrid of stage-influenced theatricality and cinematic war spectacle that feels over-sentimental and bloodless, with flashes of brilliance in the battle scenes undermined by cheesy dialogue and lack of nuance.

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Screen Daily
16 December 2011
50*

A middle-of-the-road, old-fashioned melodrama with rigidly prescribed emotional beats and artificial uplift that offers little to get passionately excited about, though technically polished and likely to appeal to awards voters and fans of sweeping epics.

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The Guardian
21 December 2011 · Peter Bradshaw
50*

Spielberg delivers a calculated and overly sentimental adaptation that imposes a directorial straitjacket on the story. The battle scenes stand out for their visceral impact and sensitivity to human cost.

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The New Yorker
25 December 2011 · David Denby
40*

The film is called bland and unimaginative in its realistic approach, turning an animal story trivial amid war's carnage, though epic battle sequences suggest Spielberg could have made a great WWI movie. The magnificent horses are singled out as perhaps reason enough to see it.

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Los Angeles Times
23 December 2011 · Betsy Sharkey
30*

The epic family drama about a boy and horse is the purest sort of love story with great beauty and emotional power, especially in war sequences where the horse shines. The film is difficult to love overall due to being too literal-minded and underplaying the leads' gravitas.

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The Independent
19 January 2012 · Anthony Quinn
30*

The film is woefully misconceived as an adaptation, losing the magic of the stage puppet horse in favor of a literal but plodding realistic version that fails to capture the story's theatrical quality. While some battle sequences showcase Spielberg's skill with war imagery, the episodic narrative and sentimental finale feel mismatched to the medium.

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Paste
19 December 2011 · 8.7 · David Roark
90*

Praises it as a poignant, humanistic film with redemptive qualities, highlighting the bond between boy and horse and Spielberg's optimistic vision.

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NME
13 January 2012 · Daniel Martin
85*

The film is heroically sentimental and skillfully pushes emotional buttons, succeeding as an uplifting yet devastating portrayal of WWI through the horse's eyes, with elegant direction and wonderful performances.

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Digital Spy
21 December 2011 · Simon Reynolds
80*

Spielberg delivers a moving blend of emotion and spectacle that tugs at the heartstrings while acknowledging the devastation of WWI, with strong performances and a reminder of his versatility.

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Collider
24 December 2011 · C- · Matt Goldberg
50

The critic finds the film compromised by avoiding the true horror of war, using the horse for vignettes that don't feel personal. Praises the cinematography and performances but criticizes the score.

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Den of Geek
20 December 2011 · 2 out of 5 · Michael Leader
30*

The critic finds the film overly sentimental and fails to make the horse a compelling protagonist, criticizing the lumpy screenplay and lack of emotional depth despite impressive visuals and cast cameos.

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The Wrap
22 December 2011
25*

The critic finds the film hollow and bombastic, with Spielberg's direction and collaborators relentlessly manipulating emotions through music, visuals, and heightened stakes rather than trusting the story or cast. A few lovely scenes stand out amid the plodding shamelessness and overdone theatrics.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate