Critics’ reviews

Wings (1927)

10 reviews from 10 publications. Critics’ score 74: 8 positive, 2 mixed, 0 negative.

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74
Positive
8
Mixed
2
Negative
0

Most critics agree that Wings still earns its reputation, and nearly all the praise lands in the air. The stunt flying, the dogfights and the photography from the cockpit are called matchless for their period, and several reviews add that the ground battles are staged on a scale that still impresses. Wellman’s handling of the spectacle is admired across the board, and the reviews written around the restoration find the condition of the print part of the pleasure.

The reservations are all on the ground. The story of two rival pilots and the woman between them is described as familiar, novelettish or faintly corny, and the acting as uneven. The Skinny finds the leads unengaging and Clara Bow the lively exception, and thinks the later stretches drag. The spread is narrow, eight positive to two mixed, with Empire the clear outlier, weighing the melodrama heavily enough to arrive at a shrug. The most recent notice, from /Film, goes the other way and finds the wartime story satisfying and the climax moving.

Time Out
10 September 2012 · PT
90*

The review calls Wings a classic that lives up to its reputation, singling out its matchless aerial photography, detailed battle scenes and dogfights, and solid performances in a straightforward plot of love, duty and camaraderie.

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The AV Club
15 February 2012 · Noel Murray
80*

The critic calls Wings more than a historical footnote, praising it as one of the most exciting and innovative Hollywood movies of its era with impressive aerial stunts and visual storytelling. They note its grand spectacle in the restored Blu-ray edition while acknowledging its mixed messages about war.

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The Guardian
2 February 2014 · Philip French
80*

The critic praises the film's superbly choreographed stunt flying and aerial combat sequences, highlighting the beautifully restored print as first rate. The homoerotic relationship between the leads and Gary Cooper's cameo are also noted as enduring elements.

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Variety
17 August 1927 · Sid Silverman
80*

The critic praises the film's unmatched graphic power in its aerial flying and combat sequences. The ground-level story follows familiar war film conventions without particular distinction.

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Sight and Sound
10 October 2012 · festival review
70*

The review highlights Wings as a festival gem in the Treasures strand of the 2012 London Film Festival, praising its still-impressive aerial combat scenes and noting its place in history as the first film to win the Best Picture Oscar.

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Slant Magazine
25 January 2012 · Jaime N. Christley
70*

The review highlights the film's enormous scale and technical achievements in special effects and set pieces as a producer's triumph that secured the first Best Picture Oscar. It notes that the characters and screenplay are less memorable but praises Wellman's handling of the spectacle and its timely restoration.

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Empire
21 July 2006 · David Parkinson
50*

The film is a rousing adventure that extols the gallantry of WWI pilots through its thrilling aerial set-pieces and meticulous staging, which helped it win the first Best Picture Oscar. However, the novelettish storyline and inconsistent acting undermine it.

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Collider
29 February 2012 · Jackson Jackson
85*

The critic highlights the film's spectacular aerial photography and gritty realism amid some silent-era melodrama, noting its historical significance as the first Best Picture winner. The beautiful restoration on the Criterion Blu-ray, with restored tinting and stabilization, makes it a must-own for cinephiles.

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/Film
22 April 2025 · Witney Seibold
70*

The critic calls Wings an impressive war epic with striking filmmaking techniques and exciting dogfight sequences wrapped around a satisfying wartime story. They single out the dynamic camera movements in the party scene and the emotional climax for particular note, while observing that the melodrama feels a bit corny.

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The Skinny
27 January 2014 · ★★★ · Josh Slater-Williams
60

Wellman’s wartime aviation epic is a large-scale melodrama whose spectacular dogfights and camerawork still impress, though the story of rival pilots and their shared love interest drags in its later stretches. Clara Bow stands out as the lively highlight amid otherwise unengaging leads.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate