Critics’ reviews

Winter's Bone (2010)

16 reviews from 16 publications. Critics’ score 74: 5 positive, 2 mixed, 0 negative.

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74
Positive
5
Mixed
2
Negative
0

Most critics respond warmly to Winter’s Bone, with praise centred on Jennifer Lawrence’s determined, watchful performance and Debra Granik’s close attention to the Ozarks setting. The reviews repeatedly credit the local speech, daily habits and harsh surroundings with making the community feel convincing. Many also admire the economical storytelling: the search at its centre sustains tension while leaving space for the pressures of poverty and family loyalty.

The reservations concern how much bleakness the film can sustain, and how convincingly it draws its heroine. Screen Daily finds the rural atmosphere persuasive but the succession of hardships short on relief. The Evening Standard admires the supporting performances and mountain music while finding Ree too saintly. These are qualified responses rather than outright dismissals; the broader divide is between critics who find the austerity compelling and those who find it limits the film’s appeal.

The Independent
16 September 2010
85*

The critic praises the film's authentic portrayal of a remote, lawless Ozark community and its tense, economical storytelling. Jennifer Lawrence's resourceful lead performance and the committed sense of place are singled out as highlights.

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Empire
13 September 2010 · Philip Wilding
80*

The critic highlights the film's vivid adaptation of the novel, its unflinching depiction of the harsh Ozarks setting, and Jennifer Lawrence's standout, determined performance as Ree. Granik's attention to detail and the cast's gritty work are praised.

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Little White Lies
17 September 2010 · 4/4/4 · Georgie Hobbs
80

The critic delivers a positive verdict on this edge-of-the-seat backwoods thriller with its star-making turn from Jennifer Lawrence. They single out Granik’s nuanced attention to detail, local language and scenery for praise.

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Radio Times
★★★★ · Damon Wise
80

The critic gives a positive verdict on this excellent award-winning thriller set in the dilapidated shanty towns of the Ozarks. They single out Jennifer Lawrence’s superb, mature and inspiring performance for particular praise.

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Evening Standard
10 April 2012
60*

The review finds the film powerful with strong supporting turns and effective use of mountain music, but criticizes the central character as an overly saintly archetype. Director Debra Granik's economical visuals are noted positively.

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Screen Daily
31 January 2010 · festival review
55*

The critic offers a mixed-to-positive verdict on this austere and grimly realistic film, noting it gets the hardened look and foreboding feel of its rural setting just right. They single out the unrelieved march through squalor and lack of lightness as drawbacks that may limit its appeal beyond the festival circuit.

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Los Angeles Times
11 June 2010 · Kenneth Turan

The film has an art house soul inside a B picture body and meshes character concerns with narrative drive adroitly. It features strong direction and standout performances, especially from Jennifer Lawrence and John Hawkes.

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Slant Magazine
7 June 2010 · Ed Gonzalez

Granik’s film highlights a distinct sensitivity and intelligence, with a succinct, well-paced plot that avoids narrative convention and cheap sentimentality while treating poverty as a mere fact of life rather than a fetish. The restraint in depicting violence and the authentic observation of daily habits and relationships stand out as remarkable strengths.

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The Guardian
16 September 2010 · Peter Bradshaw

The film is a backwoods classic that builds tension to a horrifying finale while granting dignity through its lead performance. It stands out as a naturalistic drama about poverty, family loyalty, and transgression in the Ozarks.

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The Hollywood Reporter
14 October 2010 · festival review · THR Staff

The grim backwoods tale is slow to build momentum and uningratiating, making it a hard sell, but its grit and the tenacity of its young heroine will resonate with some viewers. The strong presence of John Hawkes keeps the bleak setting from overwhelming the film and gives Jennifer Lawrence more to play against.

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The New York Times
10 June 2010 · Critic's Pick · A.O. Scott

The film is a tender and flinty adaptation that delves into tribal ties and individual choices, with a stubborn girl's sense of justice clashing against deep customs. Jennifer Lawrence gives a watchful, precise, and quietly heroic performance.

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Variety
24 January 2010 · festival review · Justin Chang

The bleak and exemplary sophomore feature follows a teenage girl's resilience as she seeks the truth behind her father's disappearance, taking an unflinching look at an impoverished Ozarks community. It conveys a bone-deep sense of place with a striking lead performance by Jennifer Lawrence.

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Digital Spy
13 September 2010 · Ben Rawson-Jones
80*

The critic hails Jennifer Lawrence's outstanding, unflappable performance as propelling the raw naturalistic tale into Oscar-contender territory. Granik's direction is praised for finding wonder and tension amid the bleak rural setting, despite some repetitive stretches.

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Den of Geek
16 September 2010 · 4 out of 5 · Emma Matthews

The critic calls it an intelligent, uncompromising drama thriller set in a bleak Ozarks community. Jennifer Lawrence's intense, career-defining lead performance is singled out as the element that elevates it to remarkable status.

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Eye for Film
25 January 2010 · festival review · Nick Da Costa

The critic calls it an unrelenting yet mesmerising vision that channels Cormac McCarthy with sparse, lyrical dialogue and stark beauty. They single out Jennifer Lawrence's breakout performance as the determined young Ree and John Hawkes as her terrifying uncle for particular praise.

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HeyUGuys
15 September 2010 · Gary Phillips

The critic describes it as a stunning film that elevates a gritty thriller into an incredible coming-of-age story about family and poverty in the Ozarks. They single out Jennifer Lawrence's astonishing, believable performance as Ree for making the entire film work, along with a satisfying climax.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate